Will Packer: Think Like a (Hollywood Mogul) Man

How the talented, record-breaking movie producer makes his mark in Hollywood telling universal stories starring African American casts

After nearly twenty years and with 15 films to his credit, producer Will Packer has firmly established himself as one of Hollywood’s most successful businessmen.  The co-founder of the Atlanta-based Rainforest Films and a partner in the recently launched Bounce TV, Packer has become a member of cinema’s A-list by providing a showcase for various portraits of contemporary Africa American life.

A native of St. Petersburg, FL, Packer decided to pursue a career in films following an internship with veteran filmmaker Warrington Hudlin. Following the success of his first two independent projects, Chocolate City, and Trios, he landed on Hollywood’s radar…and never left. Just days before his latest film, Think Like A Man, (an adaptation of comedian Steve Harvey’s New York Times bestselling book), opens in theaters on April 20th and starring actors Michael Ealy, Kevin Hart, Taraji P. Henson and Terrence J, Gil Robertson of the African American Film Critics Association (AAFCA), spoke to Packer about his rising career as a major creative force in cinema.

Gil Robertson: So how many films have you done to date?

Will Packer: This is feature film number 15, and although it doesn’t seem like a lot, they have all paved the way to where I am today.

Robertson: How would you describe the projects that you’ve brought to screen?

Packer: I would say that they are a varied bunch.  They run the gamut from drama, to thriller, to dance, to comedy, which is an indicator of my interests as a filmmaker. My films have taken a variety of themes and subject matters to the screen.

Robertson: Would you say that with each of your films you offer a slice of life in the African American experience?

Packer:  I would say that with all of my films there is definitely an element of that experience and a flavor of that culture of which I am very proud. That is very intentional. But if you look at some of my films like TakersObsessed or Think Like a Man, they could be made with casts from any background because of the universal themes that they deal with; [however], I’ve chosen to make them with an African American cast because I think it elevates the movie going experience.

On Set: Packer (center) with Hart (left) and director Tim Story (Image: Sony)

Packer: It wasn’t easy because the book  isn’t a narrative; but the book was extremely entertaining and spoke to a truth that we as men know, and that women were eager to hear more about. The film is entertaining and speaks to a truth about relationships that you  haven’t commonly seen. I think we put an interesting spin on it and did a good job in staying true to the core of the book.

Robertson: Has it gotten easier doing business in Hollywood?

Packer: Doing business in Hollywood today requires me to be more strategic and selective in how I approach projects. Right now everything that gets made in the industry is done so with an eye towards a project’s potential to reach a broad audience and grab the box office. The audience makes a difference, and  like voting, you vote with your dollars to show what you want to see. Anytime you have films like Rosewood or Miracle at St. Anna that don’t hit their mark commercially, it sends the studios a message that those stories don’t sell.

Robertson: What can African American audiences do to foster the development “black films” in Hollywood?

Packer: Well, again, support is critical in terms of making sure that black films continue to get made. Consumers must support a film during its opening weekend and beyond that. In an average year, there are on average only 2-3 black films released by Hollywood, so it’s important that African American audiences support these projects.

Robertson: So what’s going on with Bounce TV?

Packer: Well, we’re coming into the market somewhat differently than other cable networks. First, we’re coming in as a broadcast network, so that means we’re a network that is a digitally transmitted in about half the markets that we’re in. Right now we are in about 75% of African American households. The network was initially launched for  consumers who are not cable or satellite users, which is some 13 million households who receive their broadcast signal via a digital antenna like an ABC or a CBS. But you can also find us through our cable partners as well. We’re going market to market and encouraging people to go to our website at BounceTV.com to find us. We’ve got some great stuff that you can’t find elsewhere.

Robertson: What’s next for you?

Packer: Right now is a very exciting time. Currently, I am in pre-production on No Good Deeds, which stars Idris Elba and Taraji P. Henson. Beyond that I am looking forward to making projects that I feel passionately about and look forward to continuing to do that.

ACROSS THE WEB
  • Michael Walker, CPA

    Whose idea was it to stick the word “NIGGA” in the movie Think Like A Man? The word is Juvenille, Churlish and Uncouth, non of which the movie was, nor the actors/actresses. If the movie was about some 13-16 year olds growing up in New York or any city for that matter, trying to figure out life maybe “NIGGA” would have been an appropriate term, as I hear it on the NYC Subway everyday from that particular age group. But in a movie depicting professional beautiful mature black adults trying to figure out serious life committment relationships, THE WORD HAD NO PLACE OR VALUE WITHIN THE MOVIE!

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