(Part 1) New Platform Finds and Markets Entertainers Without Sacrificing Artistic Freedom

(Part 1) New Platform Finds and Markets Entertainers Without Sacrificing Artistic Freedom

“Imagine an up-and-coming artist with a small local following becoming a worldwide phenomenon in a matter of months,” posits Corey J. Stanford, the 37-year-old CEO and founder of Para Music Group. “The music industry is severely failing to market and promote music effectively…[but] we have discovered a way to target millions of people in a short period of time. This has never been achieved in music and we are proud to be the first to attempt and make it a reality.”

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Current marketing methods in the music industry include random social media postings that generate little to no results, says Stanford. Para’s solution involves a complex algorithm, a multitude of data centers, and a custom-built music portal that Stanford and his team hope will deliver artistic freedom, adequate exposure, and fair compensation to creatives.

After launching in October 2014, Para’s first signings included Russian EDM artist Milana May, Croatian pop artist Kristina Vukas, and Bostonian rock artist Byrd.

BlackEnterprise.com caught up with the serial entrepreneur to talk about how Para Music Group plans to disrupt the music scene, what keeps the company agile, and the challenges of introducing innovative business models in a formerly analog industry.

How does PMG work?
Para Music Group is a music company dedicated to releasing quality music worldwide. It places a strong emphasis on releasing music singles digitally in all genres, including pop, hip-hop, R&B, rock, country, and EDM. The process includes artists from around the world uploading and presenting finished songs to us via our custom-built music portal. The songs are retrieved by our team of executive A&Rs who vet and vote accordingly. If a song is unanimously accepted, it’s then passed on to the senior executives to make a final determination on whether the song should be released by Para.

Afterward, a formal offer is presented to the artist to license the song to be released. Upon acceptance, the song is then released digitally and massively marketed on 300+ online platforms and media channels worldwide. The progress and success of the song is tracked and monitored via an online dashboard. Profits are split between Para and the creatives on a quarterly basis.

What differentiates Para Music Group from its competition?
We’re different from our competition in that we are not just a music company. We are also a technology company. Having this advantage has allowed us to compete on a global scale within a short period of time.

Describe what makes PMG innovative?
PMG is extremely innovative in that we create and develop our own technology internally. Our tools for discovering, organizing, vetting, and voting on music were created by us. We are a highly technologically driven company and we also work virtually. Our Chief Operating Officer, Marcus Hutchins, is located on the West Coast. Our President, Kenneth Andrade, and EVP, Arthur Mandel, reside on the East Coast. Our Executive A&Rs are located across the globe. By using paperless contracts, scanning our physical mail, and operating from virtual offices, we are able to be agile and focus on our core business value proposition: releasing quality music.

What are the challenges of bringing an innovative solution to market in the music scene? The challenges are market validation, the amount of time to achieve success, and brand awareness. The music industry is brutal. Market validation is crucial yet cumbersome. When anything or anyone new is presented to the music scene, the judging period commences and ends quickly. It takes a matter of seconds for a person to decide if they like or dislike a particular song, artist, company, brand, or idea. It takes an individual with extremely thick skin to persevere and push through the arduous task of staying relevant.

Click here for Part II, where Stanford talks about lessons learned as a tech entrepreneur.