Harry Potter, HBO
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Black ‘Harry Potter’ Actor Says He’s Received Death Threats Over Severus Snape Casting

'I’ve been told, ‘Quit or I’ll murder you,’' Paapa Essiedu said.


A Black actor in the upcoming live-action “Harry Potter” series has received significant racist backlash over his casting.

When Paapa Essiedu earned the coveted role of Severus Snape in the HBO show, he thought he had secured his breakout role. However, the accomplishment also came with death threats and other harassment from fans dissatisfied with the decision.

The Ghanaian-Brit spoke to The Sunday Times of London in an interview about his treatment since the casting announcement. He shared with the publication the death threats hurled his way and how they have impacted his moment.

“I’ve been told, ‘Quit or I’ll murder you,’” revealed Essiedu.

Essiedu was among the many highly anticipated castings for the series. Currently in production, the show is expected to be released on the streamer in early 2027. However, some naysayers deemed Essiedu ill-suited to take over the role, seemingly due to his race.

While still excited to take on the gig, he did note that all the racially fueled backlash has clouded the moment.

“It really matters. The reality is that if I look at Instagram, I will see somebody saying, ‘I’m going to come to your house and kill you.’ So while I’m pretty sure I’m not going to be murdered…That could age badly! But, yes, while I hope I’ll be OK, nobody should have to encounter this for doing their job. Many people put their lives on the line in their work. I’m playing a wizard in ‘Harry Potter.’ And I’d be lying if I said it doesn’t affect me emotionally,” he expressed.

A longtime fan of the books and films, Essiedu still plans to deliver his best performance. Instead of succumbing to the hatred, he uses it as a fuel for his acting. The “Black Mirror” star wants to make Black “Potterheads” proud of his inclusion on the show.

“But the abuse fuels me,” he continued in the interview. “And makes me more passionate about making this character my own, because I think of how I felt as a kid. I would imagine myself at Hogwarts on broomsticks, and the idea that a kid like me can see themselves represented in that world? That’s motivation to not be intimidated by someone saying they’d rather I died instead of doing work I’m going to be really proud of.”

With plans to portray the beloved character for the long haul, he hopes to shut down hateful critics as he helps bring the Wizarding World to the small screen.

RELATED CONTENT: John Boyega Calls Out ‘Star Wars’ Fans Who Attack Black Actors

'The Lion King', Chant Composer, Comedian, Defamation, Song
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‘The Lion King’ Chant Composer Sues Comedian For $27M Over Defamation On Film’s Song

The lawsuit is over the misinterpretation of the signature chant heard in the classic film.


The chant composer for Disney’s The Lion King franchise has sued a comedian for $27 million for allegedly defaming the chant’s meaning.

Lebohang Morake, also known as Leso M, filed the lawssuit against Learnmore Jonasi on March 16. Leso M decided to take legal action after the African comedian seemingly mocked the chant, famously heard during the 1994 and 2019 versions of the movie, during a podcast appearance.

One viral clip focused on Jonasi’s issue with the film and its depiction of Africa.

The phrase “Nants’ingonyama bagithi Baba,” opens the film, and was created and performed by Leso M. However, while on the One54 Africa podcast, Jonasi claimed that the phrase means “Look, there’s a lion. Oh my god.”

In the lawsuit, obtained by People, Leso M asserted that Jonasi made “false statements of fact about the meaning of the ‘Nants’ingonyama’ composition.” The filing argued that his words violated the Lanham Act, especially as he “mocked the chant’s cultural significance with exaggerated imitations.”

For the misinterpretation, which Leso M argues Jonasi stated as “authoritative fact,” the Grammy winner wants $27 million in damages. Leso M claims the false narrative perpetuated by Jonasi trivializes his work on the acclaimed film, insinuating a misuse of the Zulu language.

The complaint added, “Jonasi’s reduction to ‘Look, there’s a lion. Oh my god’ is not a simplified translation—it is a fabricated, trivializing distortion, meant as a sick joke for unlawful self-profit and destruction of the imaginative and artistic work of Lebo M. The true meaning of Nants’ ingonyama bagithi Baba is ‘All hail the king, we all bow in the presence of the king.”

As for the hefty sum for damages, Leso M said the accusation has jeopardized his economic opportunities and representation. The two reportedly had an exchange on Instagram before Leso filed the lawsuit, in which he told Jonasi that he had undermined his career. If the issue goes to court, a jury will make the determination.

RELATED CONTENT: Former ‘Lion King’ Child Star Fatally Stabbed, New Jersey Man Arrested

Summer Lee, epstein files, Pam Bondi, James Comer
U.S. House of Representatives, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons

Rep. Summer Lee Claims James Comer Called Her ‘B-tch’ During Private Meeting Over Epstein Files

The meeting was over Attorney General Pam Bondi's handling of the Epstein Files and their public release.


U.S. Rep. Summer Lee says James Comer called her a “b-tch” during a closed-door meeting over the Epstein files.

The Pennsylvania congresswoman shared her frustrations with reporter over how the meeting went with Comer, chairman of the House Oversight Committee. “I just walked out of a fake deposition…a fake hearing, where chairman Comer called me a b***,” she said after the incident, as reported by BET News.

Comer denied saying that on X.

The hearing escalated over Attorney General Pam Bondi and potential repercussions surrounding her handling of the Epstein files. Bondi has been subpoenaed over the release of the documents, which detailed the conviction of Jeffrey Epstein, the infamous late financier, on sex trafficking charges.

Lee attempted to impeach Bondi regarding her involvement in the files’ botched rollout, which allegedly sparked a heated exchanged with Comer.

“[Bondi] has not been in compliance with our subpoena in the Epstein Transparency Act to release the full, complete, unredacted Epstein files. She has been withholding them. She has been obstructing justice since last July, and a couple of weeks ago, we finally got bipartisan support to subpoena her, to bring her into our committee to ask questions,” Leee said.

CNN’s Chief White House Correspondent, Kaitlan Collins, reported that Comer did use the word “bitching” in the exchange with Lee. He used the term to insinuate that she was wasting time in the briefing as she tried to initiate articles of impeachment.

“You’ve wasted three minutes of everyone’s time just kind of, bitching…,” reportedly said Comer during the meeting, as posted by the journalist.

However, the Kentucky Rep. argued that he did not hurl the phrase solely at his female colleague. While doubling down on the word’s usage, he directed his message toward all Democrats in the case against Bondi.

“FACT CHECK: True,” Comer said. “I said Democrats were bitching and wasting everyone’s time because Democrats were bitching and wasting everyone’s time.”

Lee, however, still felt the direct attack of the phrase, especially as a Black woman political figure. While the two continue to butt heads over Bondi’s refusal to comply with Democrats’ demands, Democrats have urged GOP lawmakers to hold Bondi accountable for her role in the delayed release of the files.

RELATED CONTENT: ‘We’re Going To Be On His A**’: Jasmine Crockett, Dems Press DOJ On Alleged Epstein Files Cover‑Up

fight, delays, TSA, ICE, Trump
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Trump Deploys ICE To Airports As DHS Shutdown Stretches On

The president said ICE would conduct “the immediate arrest of all Illegal Immigrants who have come into our Country” and take over airport security.


President Donald Trump announced plans to deploy Immigration and Customs Enforcement (ICE) agents to airports nationwide starting Mach 23 as the standoff over funding for Department of Homeland Security continues. On Truth Social, Trump said ICE would conduct “the immediate arrest of all Illegal Immigrants who have come into our Country” and take over airport security if Democrats did not approve DHS funding.

The announcement comes amid long airport lines caused by Transportation Security Administration (TSA) officers working without pay during the partial government shutdown. TSA scanner and security officer (TSO) training typically lasts several months, NBC News reports.

Trump’s border czar, Tom Homan, confirmed on March 22 that ICE agents would be strategically placed in airports with the heaviest delays, Politico reports. While agents won’t operate X-ray machines—tasks for which TSA staff undergo extensive training—they will assist with specialized roles and continue routine immigration enforcement.

Senate Republicans blocked a Democratic effort to fund TSA on March 21, while Democrats previously rejected GOP-backed proposals tying ICE funding to broader DHS appropriations.

ICE’s presence may heighten concerns among travelers, labor advocates, and Democrats who continue to push for TSA funding without tying it to ICE policy changes. The DHS shutdown, now extending into its second month, seems to have turned airports into a high-profile battleground for the ongoing partisan struggle over federal funding and immigration enforcement.

RELATED CONTENT: Trump Official Warns Airports May Shut Down Entirely If Funding Block On TSA Persists

Texas Tween , Carnegie Hall
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Texas Tween To Sing At Carnegie Hall As A Top Young Performer In Country

Layla Janae McWilliams, 11, was selected to be part of this year's young cohort of musicians.


One lucky Texas tween will get the chance to perform at New York City’s famed Carnegie Hall.

Layla Janae McWilliams, 11, of San Antonio was selected to take part in the Honors Performance Series, a national program for the top young performers in America. KENS 5 News shared the child’s accomplishment on social media.

As part of the prestigious program, she will train for a week before gracing the Perelman Stage at Carnegie Hall. She will sing under the direction of world-class conductors alongside fellow talented musicians. More than a “music camp,” The Honors Performance Series offers young musicians the opportunity to showcase their growing skills on a global stage.

“Big dreams start young, and the Middle School Honors Performance Series at Carnegie Hall is where rising talent starts an unforgettable first act,” detailed the program on its website. “Exclusive to the selected 6th–8th grade musicians from around the world, this program sets the stage for students to rehearse and perform under the guidance of master conductors in New York City’s iconic Carnegie Hall.”

Before singing on the very stage where the likes of Duke Ellington and Billie Holiday once stood, McWilliams will participate in this program.

Outside of rehearsals, Honor Performances Series participants will also follow stacked itinerary from Broadway shows to sightseeing for a New York experience like no other.

While she establishes a bright start to her career as a trained vocalist, McWilliams has already made her family and the San Antonio community proud with her accomplishment. Her performance will take place on July 24.

RELATED CONTENT: The Stylistics To Return To Carnegie Hall After 50 Years For ‘Falling In Love With My Girl’ Tour

Tunisia, Rights Activist Saadia Mosbah, Financial Crimes
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Tunisia Sentences Rights Activist Saadia Mosbah For Financial Crimes, Critics Call It Political

Mosbah, who has emerged as a voice for human rights freedoms, will spend 8 years in prison in the North African country.


Saadia Mosbah, a leading human rights activist in Tunisia, has received a lofty prison sentence for a crime she claims she did not commit.

Authorities arrested Mosbah in May 2024 for charges of money laundering and illicit enrichment, as reported by the BBC. Now, a Tunisian court has ordered her to spend eight years in prison, as well as pay a fine of $35,000.

The 66-year-old has been the face of political opposition in Tunisia, leading the anti-racism group Mnèmty in their support of sub-Saharan migrants in the North African nation. However, this group faced tremendous backlash from national leadership, particularly the country’s authoritative president, Kais Saied.

As Saied strengthens his regime in Tunisia, Mosbah has emerged as a voice for human rights freedoms, which have become jeopardized in the country. She and her fellow activists, including her son, were found guilty as well, in a verdict that sparked international concern as an attempt to thwart their organizing.

Their legal team also called out the federal government, seemingly trying to shift blame on the migration issue to the group, especially amid the President’s upheaval of civil society groups. The President has already suspended multiple organizations dedicated to civil rights in the country, including the  Tunisian Forum for Economic and Social Rights and the Association of Democratic Women.

“The verdict is a major shock, and it is part of a broader effort to dismantle civil society groups and shift responsibility for the state’s failure to address the migrant issue onto these groups,” explained Mosbah’s lawyer, Hela Ben Salem, to Reuters.

The migrant issue has placed tremendous pressure on Tunisia, as many Sub-Saharan Africans use the country as a gateway to Europe. To combat this issue, the President has implemented security measures to take down migration networks and deport migrants back south of the desert.

Mosbah’s conviction has also garnered attention from the international human rights community. Observatory for the Protection of Human Rights Defenders and the World Organization Against Torture have urged Tunisian authorities to release Mosbah immediately.

Alongside health and age concerns regarding her incarceration, the organizations also called Mosbah’s conviction a move to further restrict the civil rights of Tunisians. Mosbah, her son, and the other activist jailed have maintained their innocence.

RELATED CONTENT: Maryland Woman Calls Out Tunisia Hotel After Alleged Drugging And Kidnapping

Howard University, Autodesk, College of Engineering and Architecture Makerspace, HBCU
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K-Pop Group BTS Called Out For ‘Whitewash’ Of Howard University Campus In Album Teaser

Black K-pop fans and the HBCU community called out the seemingly racist depiction of Howard's campus.


Popular K-pop group BTS has confused its fans and members of the HBCU community with its depiction of Howard University’s campus in a new album teaser.

The HBCU’s yard and signature building, Founders Library, were used in the teaser for the group’s upcoming LP, Arirang, but some viewers were not pleased over the depiction of its student body.

The animation only showcased a few Black students in the video, with the rest presented as white or other races. While having some international students, Howard University primarily serves African American scholars.

The scene actually references a shared moment in both HBCU and South Korean history. According to WJLA, the video recalls when seven Korean students at the HBCU became the first Koreans in the United States to record their voices and traditional music. As for BTS’ callback to the occasion, they reimagined the boy group’s members in the famous yard during this time period.

The album title is also a special Korean phrase. The Guardian reports that “Arirang” is also the name of the Korean Peninsula’s unofficial anthem, symbolizing Korean culture and expression to the world through song. Despite the intentions, several naysayers called out the depiction of students.

Opposers on Reddit claimed that BTS attempted to “whitewash” Howard University, as the video did not heavily signal how the students were able to accomplish this feat while attending an HBCU. Many critics called the move “disrespectful” as this chance to highlight an important moment in history became overshadowed by the album promotion.

“So BTS decided to whitewash Howard University in their trailer… yeah I’m done,” shared one Redditor to launch the critique thread.

K-pop fans even noted how the fandom often excludes Black listeners from the community. Especially with ongoing critiques of these artists taking from historically Black music, particularly in R&B and hip-hop’s lyrics, dancing, and music videos, the move did not resonate with Black Americans.

Others also pointed to the broader challenges facing HBCUs and a lack of federal funding. As these institutions confront growing political pressure, including efforts to restrict how Black history is taught in schools and museums, the mischaracterization of Howard by one of the world’s biggest K-pop groups carries added weight.

“The last part you mentioned about HBCUs under attack by our current administration (throwing in as well as history under attack by cutting funding to museums that focus on African American History)…this is why this one really hurts a bit deeper for me of the disrespectful portrayal of the HBCU,” wrote a Redditor. “They squandered a true moment of showing respect and solidarity by being this careless and disrespectful.”

RELATED CONTENT: Howard University Revamps Policy On Taking Knee During Games

Miles College, cheer competition
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Miles College Cheer Team Wins National Championship After 20-Year Hiatus

Their return alone marked a major milestone, but their performance elevated the moment into a historic breakthrough.


Miles College has made history with a victory at a national cheerleading competition.

The Golden Bears cheer team captured both the Overall Grand Champion title and the College Coed Game Time Championship at the CCA Christian Cheer Nationals & Collegiate Championship on March 7 in Fayetteville, North Carolina.

Miles College, located in Fairfield, Alabama, became the first Historically Black College or University to earn both titles at the competition. According to AL.com, the Golden Bears were just the second HBCU cheer team to compete at CCA nationals.

The team had not competed on a national stage in more than 20 years. Their return alone marked a major milestone, but their performance elevated the moment into a historic breakthrough.

The journey to nationals was far from easy. Funding was a major hurdle, and initially, the trip wasn’t considered financially feasible. Head coach Le’Andrea Anderson-Tolbert stepped in and covered registration costs. From there, the team rallied support, raising more than $10,000 through community donations, family contributions, and grassroots efforts, HBCU Gameday reports.

Limited access to proper facilities forced the team to adapt. They sometimes practiced routines without full stunts or rehearsed in unconventional spaces. Yet the Golden Bears overcame the challenges and represented smaller HBCUs on a national level.

“This whole competition season… was about what we’re doing for our community and showcasing what smaller HBCUs can bring,” Anderson-Tolbert shared, according to AL.com.

When the team finally took the stage, the members delivered a high-energy routine that blended precision, spirit, and the signature performance style deeply rooted in HBCU cheer culture. Their execution and presence quickly set them apart from the competition.

The Golden Bears’ victory is being hailed as a defining moment, not only for Miles College but for HBCU cheer programs across the country.

RELATED CONTENT: Arcis-HBCU Golf Championship Winners Include Florida A&M University, North Carolina A&T University, Miles College

Black Business Month, Entrepreneurs, She Did That., Shopify
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Evanston Reparations Committee Rolls Out Grants To Boost Black-Owned Businesses

The Evanston Reparations Committee is targeting the racial wealth gap by supporting local Black-owned enterprises.


On March 20, the Evanston (IL) Reparations Committee officially opened its interest forms for its new Black Business Grant Program.

The grant program is designed to provide direct financial assistance to businesses that have historically faced barriers to capital and commercial growth due to systemic divestment.

This latest phase of the city’s $10 million restorative plan shifts focus from housing to economic development, specifically targeting the racial wealth gap by supporting local Black-owned enterprises.

The grant program is designed to provide direct financial assistance to businesses that have historically faced barriers to capital and commercial growth due to systemic divestment. The committee is partnering with Oakton College to help bring the vision to life. Under the new guidelines, eligible Black business owners can apply for grants intended to cover operational costs, infrastructure improvements, and marketing efforts aimed at long-term sustainability, the Evanston RoundTable reported.

The Evanston Reparations committee’s focus of business is due in part to the findings of the city’s 2019 study regarding historical wealth and opportunity gaps by implementing a structured support system for local entrepreneurs.

To be eligible, applicants must be Black residents of Evanston who currently own or are launching a business within city limits, according to a City of Evanston memorandum. Furthermore, the program goes beyond mere capital infusion by offering “operational readiness” training. Training provides essential technical support to help business owners navigate regulatory compliance and effectively scale their operations. Onboarding through the Small Business Development Center is mandatory. Additionally, applicants that have previously received funding from the committee are not eligible.

The rollout of the business grants comes as the city continues to navigate legal and financial hurdles. As of March 2026, the Evanston Reparations Fund has distributed over $6.5 million to hundreds of residents. Despite the committee’s success, challenges persist. In 2024, conservative watchdog group Judicial Watch filed a lawsuit “over the city’s use of race as an eligibility requirement for a reparations program.

“So we are really excited to connect businesses, not only with financial resources but also with education to make sure that it’s being applied well so we can sustain Black businesses here in Evanston,” Maurae Gilbert McCants, small business development center director, said.

RELATED CONTENT: Illinois Reparations Reports Puts The State’s ‘Harms’ Against Black Residents On Front Street

Brooklyn Academy of Music,
Brooklyn Academy of Music, Flickr, by Jeffrey Bary,https://www.flickr.com/photos/70118259@N00/2987631204/in/photolist-5y1oEQ-2hx1G2J-2cyijFS-BxjXH5-dsPEWW-qigbuf-2n6cNjP-2n6dTQN-pmyMyR-qi9AzH-qi9zrk-2hANZzx-Ajs7PJ-2dchkV5-R8WwFA-2dchk6u-2dchm8u-q1LDmJ-qig7Ch-2dchmoQ-q1LD8N-q1T97B-pmyKJP-q1LAWy-cjiXCL-pmyPyn-q1LxAq-2hFKLXM-q1T4d8-pmkiqd-2hFPBDT-q1Lz45-q5Hxz2-pmkgnA-qg3s3w-pmyShP-pmyLT2-qg3kh7-qi9wiX-q1UFLV-pmyPYv-qn8qwP-pmkktw-2hFKU6V-qk3xbo-pq9hqf-9c57n7-2hFPDVS-Bff7ws-q5ziP5

NYC’s Brooklyn Academy Of Music Names Tamara McCaw President, Eyes Stability And Growth

After nine months serving as the interim CEO, McCaw has been named the Brooklyn Academy of Music's new president.


After serving as interim CEO during a period of transition, Tamara McCaw has been officially named president of the Brooklyn Academy of Music.

The announcement came on March 20, nine months after McCaw assumed the interim CEO role in June 2025, according to Broadway World. As president, she will collaborate with the Board of Trustees and senior leadership to shape the institution’s strategic direction and lead it into its next chapter.

McCaw, 49, was unanimously selected by the board of trustees from a pool of 60 candidates, according to Board Chair Diane L. Max. She becomes BAM’s third president in the past decade, following Gina Duncan’s departure in 2025 and Katy Clark’s exit in 2021.

A collaborative leader with deep ties to BAM, McCaw previously led its government and community affairs efforts before joining The Shed as its inaugural Chief Civic Program Officer, where she helped launch Open Call. In 2023, she founded Public Assembly, a practice focused on advancing work at the intersection of culture and social impact.

“We are focused on stability,” McCaw said of her new role as president. “If you look at who I am, I am definitely a lifer. It’s my community-based roots. It takes time to do anything.”

BAM, she said, “made me,” adding, “It’s where I found my friends and my wife.”

McCaw takes the helm as BAM works to rebuild attendance, which declined before the pandemic and worsened during it amid growing competition from venues like The Shed and the Park Avenue Armory. In 2025, BAM reported a rebound, welcoming 700,000 visitors as attendance returned to pre-pandemic levels, with ticket revenue reaching $15.5 million, its second-highest in a decade.

“The struggles out there are real,” McCaw said. “But we are resilient. We are structured to meet those challenges.”

McCaw and Max said upcoming programming across dance, music, film, and theater—including a production of “Hamlet” from England’s National Theatre directed by Robert Hastie—will help sustain the institution’s appeal moving forward.

“We are very happy with our strategic plan,” Max said.

RELATED CONTENT: Solange Knowles Will Curate ‘Eldorado Ballroom’ Music Series at Brooklyn Academy of Music

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