oil palm

Nigerian-American Entrepreneurs Forge Company To ‘Releaf’ Palm Waste Into Profits

Releaf not only helps the environment, it puts more profits back into the hands of small farmers in Nigeria.


Two Nigerian-American entrepreneurs returned to the motherland to lead their own impact in the oil palm market.

Ikenna Nzewi and Uzo Ayogu founded “Releaf” in 2017, which turns palm waste into environmentally-friendly profits. The duo brought technological advancements to the agricultural sector, discovering a new way to boost the value of the palm oil process.

According to Business Insider Africa, the business owners developed a palm nut processing system called Kraken to eliminate excessive waste for smaller farmers. Now, these palm nut growers can have higher yields of production, while reducing the release of harmful chemicals into the atmosphere.

Their game-changing invention came from a long line of ideas to help Releaf find its footing in the climate and agritech industry. They settled on the idea for waste reduction after voyaging across different states in Nigeria, connecting with local farmers to see where their impact was most needed.

They discovered why Nigeria regressed from the leading global palm oil producer to relying on imports for the popular vegetable oil. Advancement stalled due to the processing system: small farmers rely on manual processing methods, which require tedious work for little return.

With nearly a quarter of produce cast aside during production, Nzewi and Agoyu realized that their focus needed to be on sharpening these processes. The Kraken is more efficient and less costly than the de-shelling machines originally on the market, making it more viable for small farmers, which make up a bulk of Nigerian’s agricultural demographic.

“It took two years of intensive R&D,” Nzewi told the news outlet. “From the outset, we wanted to build West Africa’s most advanced palm nut processing technology.”

Releaf’s environmental impact stems from its recycling of the leftover palm kernel shells. Through their climate arm of Releaf Earth, the kernels are now used for industrial biochar production.

Biochar, a stable form of carbon made by heating organic material in a low-oxygen environment, can stay in soil for centuries, reducing the amount of carbon that could harm the environment. Furthermore, this biochar enriches the soil, making it a “win-win” for both the farmers and the business.

Nzewi added, “These are technologies that remove carbon and store it in a way that it can’t return to the atmosphere for up to 1,000 years.”

Despite its list of benefits, scaling Releaf has remained a challenge due to decreased funding efforts across Africa. However, its dual-ended profit potential has warmed investors to Releaf’s operations, especially as it transforms waste into its own valuable sector. The company recently shared a delivery of carbon removal credits to Salesforce, establishing itself with major corporations across industries.

With plans to reduce up to 700,000 metric tons of CO₂e and recycle 50,000 metric tons of waste biomass by the end of the decade, Releaf has ambitious goals to prove its innovative processes work. They also plan to scale their collaborations and other partnerships, bringing African visionaries into global discussions for agricultural tech.

RELATED CONTENT: Aliko Dangote, Africa’s Richest Man, Appoints Daughters, To Key Business Roles

American Basketball Player, Indonesian Prison, Cannabis Gummies,Compassionate Release

Freer Records Releases First Album From A Woman Behind Bars

B. Alexis is making unofficial history as the first woman inmate to release an album from behind bars.


Meet B. Alexis, an inmate serving a 30-year sentence for murder who is making unofficial history as the first woman to release a full-length album from behind bars. She released her “9th and Gasoline” album and “Black Barbie” single on Freer Records.

Freer Records, a label that works with “prison-impacted” musicians, and Alexis have chosen to keep her real name and the location of her incarceration private to avoid potential retaliation from prison staff against inmates who make music.

Unlike others who have filmed videos on contraband cellphones and faced consequences, she has avoided that route, hoping her work can speak for itself without adding to the sentence she’s already serving.

“I think the pros are well worth any risks,” Alexis told The Marshall Project in a message relayed by her label. “Anything I endeavor to do concerning my music is out of integrity, so the risks or consequences don’t bother me.”

Alexis is one of a select group of artists involved in Freer Records’ bold initiative to amplify incarcerated voices through its “Die Jim Crow” movement, the label’s original name. Based in New York, Freer is currently the only label dedicated to working in prisons, collaborating with artists in Colorado, California, and an undisclosed third state.

BL Shirelle, the label’s co-executive director and producer of “9th and Gasoline,” said she had to learn how to navigate negotiations with correctional facilities to bring in recording equipment.

”They might put you in the gym or the janitors’ closet,” she said. “We build pretty impressive soundproof studios out of PVC pipe and old blankets.”

It was in 2019, when Freer—a nonprofit—was granted permission to hold auditions at Alexis’ facility, that the team was captivated by her undeniable talent and story. Alexis was only 17 when she shot and killed a woman four years after being forced into sex work at age 13, a lifestyle she raps about in her music.

”Women often glorify prostitution in music, but she wrote about genuinely trying to survive off her body, and it stuck with me for weeks,” Shirelle said. “She uses everything as a teachable moment and doesn’t feel sorry for herself.”

On the album, released in February 2026, Alexis confronts her past and personal trauma, from watching her son Ja’mir grow up behind prison walls to ultimately losing him to an unsolved homicide, while also offering messages of hope and healing.

On the lead single “Black Barbie,” she delivers a deeply introspective performance, seemingly speaking to a version of herself: “I see the hurt and pain you try to hide behind your eyes,” she raps.

To promote the track, the label used a Barbie doll from the year Alexis was born, creating a video where the doll breaks free from its packaging, sheds its clothes, and dances in liberation—only to be handcuffed and placed back inside.

”When I wrote ‘Black Barbie,’ I was in a place of feeling inadequate, like I could not measure up to the expectations of those around me,” Alexis shared. “I started thinking about the young women in my ‘hood who I thought had it all. I realized I really wasn’t too different from them. We all were trying to fake it ’til we made it.”

Despite Alexis’ face appearing on the album cover, she has not faced any retaliation from her facility, and both she and her label hope it remains that way.

RELATED CONTENT: NYC Mayor Receives Jailhouse Baptism From Al Sharpton On Good Friday

taylor, plant cafe, curly cafe, curly

New York Cosmetology Schools Must Now Teach Kinky, Coily, And Curly Haircare

Under the revised guidelines, cosmetology programs must now provide specific instruction on curl care.


To combat “hair discrimination” and ensure equity in the beauty industry, New York State has laid out guidelines for cosmetology schools to incorporate training for textured and curly hair.

 The new requirement, highlighted in a March 18 report by the New York State Register, aims to close a long-standing gap in professional haircare that has historically marginalized Black and Brown consumers. The legislation updates the state’s decades-old licensing requirements, stipulating that students must demonstrate proficiency in working with all hair types—ranging from straight to coily (Type 4C)—to receive a cosmetology license.

Under the revised guidelines, cosmetology programs must now provide specific instruction on curl pattern recognition to help students identify the needs of different hair densities and textures. Additionally, the curriculum prioritizes chemical safety, ensuring the proper application of relaxers, perms, and color treatments on fragile hair. The intent is to provide quality care for highly textured strands that react differently than straight hair. Students are required to achieve mastery in styling techniques such as protective styles, braids, and twists. 

The new guidelines provide a way to enforce New York’s version of the CROWN Act, which was signed in 2019 to ban hair-based discrimination in workplaces and schools. Though the CROWN Act made it illegal to discriminate against natural hair, the market lacked properly trained professionals. The gap in expert stylists makes it difficult for some to find safe, high-quality care. By making textured hair training a requirement, the state ensures that every New Yorker can walk into any licensed salon and receive professional, dignified service.

New York is not the only state making strides in hair equality. Pennsylvania recently became the 28th state to pass its own version of the CROWN Act. BLACK ENTERPRISE covered the passage of the Pennsylvania Hair Crown Act by the state legislature. With overwhelming support, the state legislature reached a bipartisan agreement to protect residents from discrimination based on hair texture and protective styles like braids, locs, and twists. Gov. Shapiro signed the Act into law in November 2025, citing the need to protect individual freedom without discrimination.

“Real freedom means being respected for who you are — no matter what you look like, where you come from, who you love, or who you pray to,” Gov. Shapiro said in a statement. ”For too long, many Pennsylvanians have faced discrimination simply for hairstyles that reflect their identity and culture — that ends today.”

RELATED CONTENT: Pennsylvania Poised To Outlaw Hair-Based Discrimination As Crown Act Heads To Governor

Push Back Against  Unrealistic Demands Without Damaging Your Leadership Reputation

Push Back Against Unrealistic Demands Without Damaging Your Leadership Reputation

You’re not difficult, the expectations are


Dear Fairygodmentor®, 

My manager’s expectations are unrealistic — and I’m afraid of being labeled ‘difficult’ as a Black woman leader. How do I push back without pushing myself out the door?

-Not Difficult but Determined

Dear Difficult but Determined,

The struggle is real! As Black women, we’re praised for our resilience but often penalized for our resistance. We’re expected to overdeliver without complaint, while knowing that pushing back could label you as being “difficult,” “aggressive,” or (my all-time ‘favorite’) “angry.”

Being in the workplace is like walking a tightrope daily, blindfolded, looking down at a field of career-ending landmines. Let’s take off that blindfold to help you navigate this space we call the workplace.

Here are some actions you can take to set expectations that meet reality during your next one-on-one session without being pushy.

Set the Intention of Collaboration and Support. I’ve shared this idea many times, but it begs repeating. Set the intention of collaboration and support. When you set the intention of collaboration and support right off the bat, it should put your manager at ease that you’re working with them and not against them. Always keep the best interests of the business and its success in mind. If the expectations are unrealistic, ask yourself what tools, resources, or actions from your manager would best set you up for success so that the business ultimately benefits.   

Actively Listen. I don’t know what specific requests they will be sharing at the next meeting, but I can tell that you’re developing stress and anxiety around this. When we stress ourselves out, our ears shut down, and we immediately go internal. It’s going to be hard to do…but listen. And while you’re listening, take notes so you can check for understanding and be clear on what’s being said by repeating back what you’ve heard.  

“So what I hear you saying is…”(repeat what was said) to clarify that you’re on the same page.  

Some other examples: 

“So when you said…, would it be fair to say that you meant…and felt…?” 

“Have I understood correctly that when I did…, you felt…?”

Checking for understanding isn’t pushing back. It’s ensuring that you and your manager are on the same page, strategy-wise.

Show Receipts. It’s helpful to have supporting evidence of unrealistic expectations. If you can measure time spent, productivity, profit loss, etc., due to these requests, show the proof. Low productivity results in a loss of profits. That’s a huge red flag to leadership. Sometimes it helps to paint the picture for them so they can see the impact of these unrealistic expectations. Leaders come to the table with solutions. Request support or extra resources to assist you with these tasks or requests. 

Fix Your Face. Sometimes when we’re receiving information—especially if it’s not positive —we can find ourselves internally shouting back, imagining what to say next, scrunching up our faces, rolling our eyes, sighing… be aware of your non-verbal cues. THIS is KEY! All of these non-verbal actions not only show defensiveness but also continue to perpetuate the stereotype that we are an angry Black woman. And don’t smile unless you mean it. Smirking isn’t cute. I find it a best practice to enlist a Fix Your Face Buddy who can help keep an eye on you during calls or in-person meetings to help you keep your branding right and tight.

Push Back Powerfully and Professionally. You’ve heard that old saying, “It’s not what you say, it’s how you say it.” That is key when communicating your boundaries. Always put the best interests of the business in mind. This keeps the conversation on the professional and not the personal. 

Pushing back in peace can sound like:

• I want to make sure I deliver this well. Given my current workload, what other priorities would you suggest we shift so I can give this the attention it deserves?”

• “Help me understand how this fits against the goals we outlined for this quarter so I can organize my work appropriately.”

• “To execute this at the level you’re expecting, I’ll need either additional time or support. Which would you prefer?”

If called out to add more to your plate in a team meeting setting:

• “To deliver that well, we’ll need to revisit the timeline or resources.”

• “I can absolutely take that on. What should I move to make space for it?”

• If someone low-key questions your judgment: “Can you say more about that?” “What about my actions is giving you pause?”

Reclaiming your boundaries is a leadership skill, not a liability.

You’re not being pushy but persistent in maintaining your professionalism and productivity for the organization.

Keep your head up, Queen! 

You got this!

Yours truly,

Your Fairygodmentor®

About Joyel Crawford:

Joyel Crawford is an award-winning career and leadership development professional and founder of Crawford Leadership Strategies, a consultancy that empowers results-driven leaders through coaching, training, and facilitation. She’s the best-selling author of Show Your Ask: Using Your Voice to Advocate for Yourself and Your Career.

Have a question for Your Fairygodmentor®?

Submit your career and leadership questions, whether it’s about navigating a micromanager, setting boundaries, negotiating for a raise, or handling burnout. Ask Your Fairygodmentor® today!

Boosie, Boosie Bash, Calib Wilson, Southern University

Rapper Boosie Gifts His Mama A Whole Estate

The rapper also gave her $10,000 in cash.


Boosie presented his mother with not only a house, but a whole estate as a surprise birthday gift. The Shade Room featured a video of the event.

The Louisiana rapper, born Torence Ivy Hatch Jr., celebrated his mother’s birthday by giving her a tour of the property. As she was driven to the “Batman Estate,” he urged her to get out of the vehicle as he took her through the gates labeled “Miss Connie.”

The proud son had the gates open as he informed her that this is her new house. He also pointed out a street sign: “Connie Hatch Pkwy.”

As he led her to the house, she told him that she normally does not allow him to walk in the house with shoes on, but she will let him this time.

There were more gifts, including several Louis Vuitton bags laid on the table, along with an additional $10,000 in cash for her to spend. Several white T-shirts with photos of the two of them placed on the dining room chairs.

In the tour, he showed her a 100-inch HDTV in one of the rooms, the master bedroom, several guest rooms, and some of the house’s amenities.

Just over a year ago, Boosie announced he was spending about $127,000 to create a lake on his 26-acre property in Georgia, which he named “Lake BadAzz.” He has also bought homes for his eight children to live in.

In December 2024, DJ Vlad was given a tour of the property. Boosie explained to the content creator that he had the lake built on his property because he got sick of going to fish at other people’s lakes and decided to have one built just for him.

RELATED CONTENT: Rapper Boosie Badazz Receives Two Honorary Doctorate Degrees From Florida HBCU

Gender Non-Conforming, Chicago

Mother Of 7-Year-Old Robbed At Gun Point Calls Out Crime In South Memphis

A South Memphis mother is speaking out after her 7-year-old was robbed at gunpoint.


The mother of a 7-year-old boy who was recently robbed at gunpoint for $10 is speaking out over the rising violence on the streets of South Memphis.

The 7-year-old and his mother, who spoke anonymously to FOX 13 due to threats, said he was walking home from a park with friends on Wednesday, March 18, when a gunman confronted them, and took two $5 bills from his pocket before fleeing.

“When we were walking over here, they was behind us talking, then they ran up on us, made us fall, and tripped us,” the 7-year-old boy said. “Then they went into our pockets and got all the money we had..” The boy was unhurt.

The mother said she wasn’t home when it happened, but her heart dropped when she got the call that someone had pulled a gun on her son.

”Like I have a daughter that is 16; our son is 13. And I have never been through nothing like this, ever,” the boy’s mother said. “And since we’ve been staying over in this area, it’s been nothing but bad things happening to me and my kids.”

The boy’s mother says the incident was the breaking point, and she’s now doing everything she can to leave the neighborhood, located on Vaal Street off Castex. Another woman told Fox 13 her daughter was shot there two years ago. Both women say a group of older teens has long terrorized the area, and the mother believes one of them was responsible for robbing her son at gunpoint.

”It is not safe over here; these parents up over here, they don’t care how their kids react to things, or they don’t care what their kids out here doing,” the boy’s mother said. “So I’m trying to get my kids away from all of this. I can’t take it no more.”

RELATED CONTENT: Tennessee Judge Temporarily Blocks Deployment Of National Guard In Memphis

CHANCE DA RAPPER

Chance The Rapper Wins Lawsuit Filed By Former Manager Accusing Him Of Owing Nearly $4M

In a million-dollar counter lawsuit, Chance was awarded $35.


Chance the Rapper was victorious over his former manager in a court case. Pat Corcoran claimed the Chicago rapper owed him millions of dollars in unpaid commissions and royalties.

According to The Chicago Sun-Times, the jury ruled against Corcoran on March 20 after deliberating for two hours and after a two-week trial, finding that the former manager did not prove his case. Corcoran, who managed Chance’s career for almost eight years, said the Chicago native owed him $3.8 million.

Their business relationship lasted from 2012 until 2020, when Chance fired Corcoran.

“I claim victory in the name of the Lord,” Chance said after the verdict was announced.

Corcoran claimed in his lawsuit that he had a “sunset clause,” meaning that he was entitled to three years of earnings after they parted ways in April 2020, after the release of Chance’s album, The Big Day. There was no written contract, just a handshake agreement that worked for both parties until Corcoran was fired, according to Chance’s legal team.

“There’s not one single document in the seven years they worked together that shows any evidence of a sunset,” Chance’s attorney, Precious Jacobs-Perry, said. 

However, Corcoran’s attorney, Robert Sweeney, stated in closing arguments that his client had an agreement with Chance under which the former manager would be entitled to 15% of the net profits from projects he worked on, even if he was fired. And with that agreement between the two, royalties and one-time fees for the work he produced for a canceled 2019-2020 tour with Live Nation, a Ben & Jerry’s brand partnership, as well as the 2019 Netflix rap competition series, Rhythm & Flow, were owed to him.

“It doesn’t matter when money comes in; it matters if you worked on it,” Sweeney said during the trial. “If you worked on it, you get paid. Mr. Corcoran is here because he wants to get paid.”

“Chance sued Pat on principle after learning about the things Pat was doing behind his back,” said Jacobs-Perry. “Chance decided to stand up for himself and artists everywhere. He made a choice early in his career to be independent, to own his own music and be free from labels and third parties…and it defined everything that followed.”

Chance also sued Corocran for $1 million in damages, and although the jury ruled in his favor, he was awarded only $35 and ownership of the website, ChanceRaps, which had previously been owned by the former manager. He accused Corcoran of breach of duty. Jacobs-Perry also alleged that Corcoran had been overpaid by $312,300 before his termination.

Although Corcoran lost his lawsuit, his attorney, Jay Scharkey, said, “We respect the jury’s decision, but the message to music managers is clear: Get it in writing.”

RELATED CONTENT: Chance The Rapper Blesses 100 Chicago Children With Bicycles

east Towson

Maryland’s Historic East Towson Fighting To Preserve Town’s Last Forest And Wetlands

Residents say they’re already seeing impacts from site clearing that began Feb. 16.


Residents of Maryland’s historic East Towson—founded by formerly enslaved people—are continuing a decade-long fight to block a development they say would destroy the community’s last forest and wetlands.

Construction at East Towson’s Red Maple Place has been halted after the Maryland Department of the Environment found permit violations, AFRO.com reports. The 56-unit affordable housing project has drawn pushback from residents and lawmakers, who are calling for accountability to protect the historic community founded in the 1850s by formerly enslaved people from the Ridgely estate.

“East Towson, a historically African-American community, has consistently borne a disproportionate burden from the development of Towson as a town center and from the expansion of local government and amenities,” said State Sen. Mary L. Washington (D-MD-43). “Since the 1960s, most affordable housing, highway and transit projects have been placed in East Towson. These projects have demolished single-family homes, separated community centers from residential areas with multilane roads, destroyed old-growth trees and recreational green spaces, and eliminated a Negro League Baseball field to construct a BGE substation.”

“All these changes have primarily benefited expanding housing and commercial developments, often at the expense of East Towson’s residents,” she added.

Residents say they were not properly notified of the project.

“There were no required public notices before construction,” said Michele Yendall, a resident of nearby Harris Hill, noting the site wasn’t fenced until work began.

An MDE report cited multiple violations, including clearing the site without permits, lacking a stormwater plan, and failing to conduct inspections or post public notice.

Residents say they’re already seeing impacts from site clearing that began Feb. 16. After heavy rain, standing water and sediment runoff remain visible, according to East Towson resident Martha Levene. Nearby resident Michele Yendall also raised concerns about potential damage to a parking lot support wall, warning that tree and soil removal could cause failure—something she says hadn’t been an issue in over 30 years before construction began.

”In my professional life, I became aware of the fragility of our environmental ecosystem and its negative impacts on Baltimore area communities, especially those that are lower income and predominantly African American,” Washington said.

Washington stressed that controlling stormwater runoff is critical to protecting the Chesapeake Bay, local waterways, and drinking water. While she received responses from state agencies, she said Baltimore County has been largely unresponsive on developer variances and appears unwilling to enforce environmental protections before approving plans. Residents expressed appreciation for Washington and MDE’s efforts.

Dana Johnson, president and CEO of Homes for America, said the project received approval from all county departments and moved forward after obtaining an MDE stormwater permit. She added that the development is expected to strengthen and unify the community, not harm it.

”Homes for America does not believe that affordable housing divides communities or ‘destroys the neighborhood’ as our opponents have said,” Johnson said. “We believe that affordable housing builds community by providing quality housing options that are affordable to the community’s essential workers, seniors and persons with disabilities.”

Washington is urging concerned residents statewide to contact Baltimore County officials and agencies to demand environmental accountability.

RELATED CONTENT: Baltimore Mayor Brandon Scott Supports Residents Affected By Shutdown With $4.6M Funded Program

Slave Haven musuem, fire, Memphis

Underground Railroad Museum Sues Trump Admin, Says Federal Grant Was Axed Due To Race

The lawsuit claims that the Trump administration targeted Black historical centers in anti-DEI policy.


One of New York’s Underground Railroad museums, the Underground Railroad Education Center, has sued the Trump administration over a federal grant it says was axed because of race.

The educational center, located in Albany, filed the lawsuit on March 20 with the  U.S. District Court for the Northern District of New York, hoping to overturn the grant’s repeal. The complaint alleges that Trump’s anti-DEI push led to the dissolution of the grant supporting its operations. The National Endowment for the Humanities bestowed the $250,000 allotment before its sudden cancellation last year.

In the filing obtained by NBC News, the Underground Railroad Education Center claims the grant’s axing violated the First and Fifth Amendments. Specifically, the museum asserts that the cancellation stems from racial discrimination tied to DEI concerns.

This anti-DEI policy began with Trump’s executive order in January 2025, which virtually eliminated all diversity, equity, and inclusion initiatives across federal agencies. The new policy left many departments and programs wiped out, including grants that support various establishments nationwide.

However, the museum’s legal team argues that the Trump administration has “no legitimate basis” to scrap the grant. Instead, attorney Nina Loewenstein believes that anything “associated with the Black race” faced federal cuts impacting their longevity. The policy eliminated 1,400 grants by that April for their “conflict with” the executive order.

“Numerous statements of the current Executive Branch leadership reflect overt and coded racism supporting white supremacy and denigrating Black history in America,” the lawsuit said.

The museum is a nonprofit dedicated to the history and legacy of the Underground Railroad, particularly in the New York region. The initial home of the abolitionists Stephen and Harriet Myers, the building reopened in 2004 by co-founders Paul and Mary Liz Stewart. Its continued mission seeks to educate those in the Albany area about the home’s role in this sector of Black American history.

The grant helped the UREC sustain its communal activities and educational programming, as its facilities also housed relics and other artifacts from the period of enslavement. Now, with the grants removed, the museum’s $12 million construction for the neighboring center has stalled.

However, the UREC is not the only Black historical building to face funding setbacks in Trump’s second term. From local centers to the National Museum of African American History and Culture, many storied institutions have had to navigate the recall of exhibits and artifacts that do not align with the President’s anti-DEI directive.

The filing even asserted how the administration and its executive order “systematically targeted grantees and programs that sought to increase the public’s understanding of Black history and cultures.” However, the UREC hopes to succeed in appealing the grant’s cancellation, potentially setting a precedent for other historical institutions to reclaim lost funding.

RELATED CONTENT: Colonialism On The Stand: 93-Year-Old Belgian Diplomat To Stand Trial For Patrice Lumumba’s 1961 Assassination

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