Senators Unanimously Pass Resolution For Charlie Kirk’s ‘Day Of Remembrance’
Senate Democrats and Republicans are all for honoring Charlie Kirk with 'Day of Remembrance."
On Sept. 18, the U.S. Senate voted unanimously to establish Oct. 14 as a National Day of Remembrance for Charlie Kirk.
This resolution follows the murder of the podcaster, Sep. 10, little more than a week after his demise. The initial resolution was led by Senator Rick Scott, who secured support from all Senate Republicans. The resolution cleared the chamber without opposition. In defense of the “National Day of Remembrance for Charlie Kirk, Scott wrote that the non-government employee should be honored as a hero for debating liberal students on college campuses.
“Charlie Kirk was recognized as one of the leading voices among young leaders in the United States, creating opportunities for civic education, fostering youth leadership, and promoting principles of liberty and democracy across the United States; Whereas Charlie Kirk was the founder and executive director of Turning Point USA, a nonprofit organization of thou HLA25811 JJN 2 S.L.C. sands of chapters across the United States dedicated to educating students about the principles of freedom, free markets, and limited government,” Scott wrote.
Some House Democrats are preparing to vote against a similar measure. Representative Jasmine Crockett is a vocal detractor. She sees no evidence to support the claims that Kirk was a paragon.
“Not sure what is honorable about many of Mr. Kirk’s past statements,” Crockett said, according to Axios.
Supporters argue the resolution is a gesture of national unity against political violence. Kirk’s death during a speaking event at Utah Valley University has become a heavily discussed topic in political discourse. Many condemned the violence, including the NAACP and Black Lives Matter organizations. To justify backing the resolution, supporters emphasize that acknowledging the loss does not necessarily require agreeing with every aspect of his work.
With the Senate’s passage complete, all eyes turn to the House, where a corresponding resolution is expected. The measure must also garner sufficient votes before it reaches the president. If that happens, Oct. 14 will be officially designated a day to remember Kirk’s life. However, it is unclear if the totality of his views will be acknowledged.
L-R: Comedian and AI storyteller Will “King Willonius” Hatcher; Lindsay Peoples, Editor in Chief of New York Magazine's "The Cut;" ABC news correspondent Mike Muse; filmmaker Aaliyah Williams; and Cori Murray, EVP, editorial content at EBONY Magazine (Photo courtesy of OpenAI)
Black Storytellers Discuss Using AI as a Creative Partner at the Martha’s Vineyard African American Film Festival
A panel of creators, journalists, and filmmakers shared how AI has empowered them professionally and creatively
Much like the onset of the digital revolution in the early 2000s, Artificial Intelligence (AI) is transforming the way humans work, ideate, and consume information. Within the last year, AI has helped many white-collar workers expedite cumbersome processes and eliminate mundane tasks.
AI tools have also given small business owners and independent creators the ability to perform tasks with remarkable speed and efficiency. For instance, just a couple of years ago, creating a logo for a new company could have taken days–or even weeks–to complete since it required the business owner to search for, hire, and work with a graphic designer to bring the logo to life. Today, AI platforms can generate dozens of variations of a company logo in a matter of seconds with just a few prompts.
Launched in 2022 by OpenAI, ChatGPT is the wildly popular AI-generated chatbot and the fastest-growing consumer application in history, according to Reuters. The platform excels in various aspects of content creation, including brainstorming and research. Affectionately nicknamed “Chat” by many users, the platform generates and filters ideas, content, and information at scale, empowering creative professionals to bring new ideas, visions, and inspiration to fruition.
Source: Cori Murray, EVP, editorial content at EBONY Magazine (Photo courtesy of OpenAI)
During the 23rd annual Martha’s Vineyard African American Film Festival last month, OpenAI presented a panel session that explored AI’s power to inspire, transform, and elevate storytelling. The dynamic panel of creative visionaries included Will “King Willonius” Hatcher, a comedian and AI storyteller; Lindsay Peoples, the Editor in Chief of New York Magazine’s The Cut; filmmaker Aaliyah Williams; and Mike Muse, a pop culture expert and host of SiriusXM’s “The Mike Muse Show.” Moderated by Cori Murray, the executive vice president of editorial content at EBONY Magazine, the discussion explored how AI can be a powerful instrument that empowers creative professionals to manifest ideas, visions, and inspiration.
“AI is in our lives. It’s not writing our stories, but it is helping. And I can see that it is truly a creative partner,” said Murray in her opening remarks.
Muse, an ABC News contributor, said AI has drastically reduced the amount of time he used to spend preparing for on-air appearances and interviews. Rather than taking hours to sift through vast amounts of data, Muse uses ChatGPT to find relevant information, trends, and insights specific to the subject matter at hand.
“I used to have to tirelessly [research] the night before I had a [TV] hit,” he said. “I would research numbers. I would research historical facts. I would go back to the 1960s. I would go back to the 1970s. I would go back to what the framers of the Constitution were thinking,” he continued. “That is painstaking. It is painstaking to be accurate. It is painstaking to be data-led.”
Although using AI has decreased Muse’s prep time, he noted that the AI can’t replace someone’s ability to understand, recite, or contextualize the data. Nor does it have the ability to make a real-life appearance.
“It can’t do the conversation for me on television,” he said. “You have to be smart in order to read the data. You have to be smart in order to interpret the data.” He added, “you also have to [fact] check the data that you’ve been given.”
Similarly, Peoples said she uses AI to help her synthesize and pinpoint key information in 250-page legal documents.
Williams said using Chat has given her more time for leisure and socializing by helping her compose recommendation letters and review film scripts.
“I call my ChatGPT ‘Lumie,’” she told the audience. “I figured out how I can shape my ChatGPT in my image, in my voice, and in how I write notes to some of my creative partners.”
Source: Will “King Willonius” Hatcher, comedian and AI storyteller (Photo courtesy of OpenAI)
Hatcher, who created the viral AI-generated song “BBL Drizzy” in 2023, credits ChatGPT for his breakthrough in Hollywood.
“Originally, I started using AI to try to break into Hollywood. I had a bunch of scripts, and I started making AI movie trailers based on my scripts.”
He also revealed his plans to turn “BBL Drizzy” into a narrative dome experience at a planetarium, which uses immersive, full-dome video, narrated storytelling, and interactive features to tell stories.
“I would not have been able to do that without AI. It allows you to dream bigger and then figure out ways to execute on your vision.”
Muse added that AI tools have helped democratize the entry point into the entertainment industry. As a result, this could decentralize gatekeeping in Hollywood and captapult new storytellers.
“It’s reducing the financial barrier to allow individuals who may not have had access,” he said, noting that AI helps individuals write scripts and create movies without big budgets, resources, or access to studios.
“Hollywood has got to be on notice that the disruption is coming. It’s a matter of how we think about it, how we partner with it, how we reposition, how we recreate, and how we upskill the craftsmen that are part of it so that they don’t get left out,” said Muse.
The panelist went on to emphasize the need for Black creators to educate themselves about AI to avoid getting left behind in today’s intelligence age.
“We have to lean in and start utilizing these tools,” said Hatcher.
Following the discussion, Hatcher explained how AI has not only helped him ascend as both a creator and entrepreneur, but it has also transformed his life.
“AI has unlocked all of my creativity. It has allowed me to express myself, and it’s really empowered me as a creative and a business owner to just do things that I didn’t think were possible. Like with AI agents and automation tools, you can operate like you’re a much larger organization,” he told BLACK ENTERPRISE. “You can story tell in ways you’ve never been able to in the past,” he continued.
“Leading into 2026, we’re going to see a lot more innovation happen, especially as it pertains to the AI film space. So, I just want us to be prepared and not get blindsided.”
Movies Spike Lee And Denzel Washington Have Collabed On From ‘Highest 2 Lowest’
The dynamic duo have a mutual respect for one another
Spike Lee and Denzel Washington have forged one of the most lasting actor-director partnerships in contemporary cinema. Throughout the years, they’ve collaborated on a total of five films that delve into Black themes of music, politics, family, crime, and morality. The dynamic duo have a mutual respect for one another and have become good friends over the span of their careers. Lee and Washington’s partnership highlights their versatility and cultural significance, not just a key moment in their careers but also meaningful contributions to American cinema.
Lee and Washington came together once again for the highly anticipated film Highest 2 Lowest, but also, here’s a glance at every Lee-directed film that featured Denzel Washington as his leading man.
Malcolm X
The Malcolm X movie was released Nov. 18, 1992. The biopic traces the evolution of civil rights leader Malcolm X from a hustler to a minister and ultimately, a revolutionary icon. In one of his most lauded performances, Denzel Washington embodies Malcolm X, highlighting his impact and lasting legacy.
He Got Game
In He Got Game, which premiered on May 1, 1998, Washington plays the role of Jake Shuttlesworth, a father who is incarcerated. Temporarily released, Jake’s goal is to persuade his son, a basketball prodigy named Jesus Shuttlesworth (played by Ray Allen), to commit to the governor’s alma mater. This touching film delves into themes of family strife, ambition, and redemption.
Inside Man
Inside Man, released on March 24, 2006, is a gripping heist thriller that centers on detective Keith Frazier, played by Denzel Washington. Frazier is assigned to negotiate with a clever bank robber, portrayed by Clive Owen, all while uncovering a concealed conspiracy. The film expertly combines suspense with deep inquiries into justice and morality.
Mo’ Better Blues
Mo’ Better Blues, released on Aug. 3, 1990, is a film that explores loyalty, artistry, and sacrifice through the lens of New York City’s vibrant jazz scene. Bleek Gilliam, portrayed by Washington, is a gifted jazz trumpeter torn between his unwavering devotion to music and his personal relationships.
Highest 2 Lowest
Washington portrays David King, a rich music executive whose driver’s son is accidentally abducted. This contemporary reimagining of Akira Kurosawa’s novel High and Low delves into themes of power, class, and integrity. The film, which hit theaters on Sept. 13, 2025, features Washington in the leading role, having to make heavy decisions with heavy consequences.
Ticketmaster And Live Nation Sued By FTC Over ‘Illegal’ Resale Tactics
Ticketmaster and Live Nation are facing a new lawsuit over alleged illegal ticket resale practices.
The Federal Trade Commission has filed a lawsuit against Ticketmaster and Live Nation, accusing the companies of using “illegal” tactics in the ticket resale market.
The FTC filed the lawsuit in California federal court on Sept. 18, with seven states joining the lawsuit, including Florida, Illinois, and Virginia, CNBC reported. The lawsuit accuses Ticketmaster and Live Nation of conspiring with scalpers to “unlawfully purchase” tickets and inflate their profits.
“[Ticketmaster and Live Nation’s] illegal conduct frustrates artists’ desire to maintain affordable ticket prices that fit the needs of ordinary American families, costing ordinary fans millions of dollars every year,” the lawsuit states.
The lawsuit accuses Ticketmaster of using a “bait-and-switch” strategy by advertising lower ticket prices before raising them with added fees. It also claims the company lets brokers exceed ticket limits to boost resale profits and violates the Better Online Ticket Sales Act.
Ticketmaster is accused of “triple dipping” by profiting from fees paid by brokers on the primary market, brokers on the secondary market, and consumers on resold tickets. From 2019 to 2024, Ticketmaster raked in $3.7 billion in profits, while artists and fans bore the costs, the FTC said.
“I want an injunction that tells Ticketmaster, ‘You can’t do this.’ You can’t you can’t screw ordinary American consumers who just want to go to a baseball game or a concert, so that brokers can make massive profits and Ticketmaster can share in those profits,’” FTC Chairman Andrew Ferguson said.
Ticketmaster’s alleged practices have sparked lawsuits in the U.S. and abroad. In the U.K., the company is under investigation for its use of “dynamic pricing,” a tactic that raises ticket costs based on market demand. The latest example of alleged dynamic pricing came with ticket sales for Britpop band Oasis’s reunion concerts.
The FTC’s case comes on the heels of a Justice Department lawsuit seeking to break up Live Nation and Ticketmaster over alleged antitrust violations and monopoly power in the ticketing industry. That lawsuit stemmed from a 2022 probe launched after backlash from Taylor Swift fans over Eras Tour ticket prices.
photo credit: Matti Blume (CC BY-SA <//commons.wikimedia.org/wiki/File:Audi_Concept_C,_IAA_Open_Space_2025,_Munich_(20250909-P1050334).jpg> or GFDL , via Wikimedia Commons
Technical Simplicity: Audi Concept C Profiles At IAA Mobility Show In Munich, Germany
Nothing short of phenomenal, the two-seat Concept C paves the way for a bevy of forthcoming Audi vehicles engineered from a formula incorporating simplicity and technical precision.
The advanced Audi Concept C is a product of the German automaker’s storied heritage, integrated into a simple yet modern design philosophy for the future. Inspired by the Type D Silver Arrow race car and the Audi TT–with influences from the R8–the RWD Concept C features an upright grille, clean surfaces, strong shoulder lines, and a centrally located battery.
I first laid eyes on the electric hardtop roadster at the industry-leading IAA Mobility Show in Munich, which focuses on human-centric technologies, safety advancements, and software-based automobile applications. Yes, beauty lies in the eyes of the beholder, but the Concept C consciously grasped everyone’s attention (including me) at the various venues Audi displayed it at.
I enjoy visiting Germany to immerse myself in its principles that focus on humanitarian needs and infrastructure enhancement. Some of its values and tenets include healthy and wholesome culinary experiences, welcoming visitors with respect and hospitality, uplifting its people with community services, and, of course, producing stellar, innovative German machines. There has always been a certain appeal within American culture that an Audi instills when you park it in your driveway, especially if you opt for an RS variant!
Nothing short of phenomenal, the two-seat Concept C paves the way for a bevy of forthcoming Audi vehicles engineered from a formula incorporating simplicity and technical precision. For example, the roadster’s new roof concept combines the elegance of a coupé with an open-top experience. The retractable hardtop opens and closes quickly, comprising two roof elements that enable the vehicle to maintain a uniform shape. And though it’s a concept, Audi will bring the sports car to life as a production model in 2027.
Some of the keystone exterior features include a new light theme incorporating four horizontally arranged elements in each headlight and taillight, a titanium-painted finish to bring out the precision, lightness, and strength of the Concept C, and two-tone 21” rims optimized for aerodynamics. The spokes are hollowed out to reduce weight. To stride through the wind like a swordfish in oceans, Audi enhanced the Concept C with racing componentry made from composite, polished carbon fiber.
Inside the cozy cockpit, you will find a 10.4″ foldable center display, haptic controls on the center console, physical controls finished in anodized aluminum, a round steering wheel featuring the four rings of Audi in a metal finish, metal door handles, and seats made out of natural materials to create a refined environment.
Audi’s ambition is to remain a global tech driver while decarbonizing the automobile. Yet, as the German automaker moves fluidly into the future like a ‘90s point guard from NY, the goal is to reduce the sensationalization of overly complicated technology. Thus, less becomes more.
Law Enforcement Investigating Rope Found Hanging From Tree Outside APEX Museum In Atlanta
'Officers are investigating the circumstances. At this time, there is nothing significant to report.'
A troubling scene was discovered outside the APEX museum in Atlanta, after workers found a rope hanging from a tree, which was visible to the public.
According to 11 Alive, law enforcement started an investigation after the discovery of the hanging rope from a tree outside the APEX Museum, next to the campus of Georgia State University. The Atlanta Police Department, along with the Georgia Homeland Security, is investigating the incident, but has stopped short of labeling the rope a noose. However, the speculation is inferred, especially with the current political climate.
The police department gave a statement saying, “Officers are investigating the circumstances. At this time, there is nothing significant to report.”
Dan Moore, Jr., who is the President and CEO of APEX Museum, took to social media after the discovery of the hanging rope.
“For Black communities in the United States, a noose is a symbol of terror representing lynchings, hatred, racial violence, and a system that once publicly sanctioned the murder of Blacks to enforce white supremacy. Placed beside a museum dedicated to Black life and resilience, the rope reads as an act of intimidation: a clear message intended to wound…silence…and to remind people that the same threats and violence of our country’s past can be conjured in the present.”
He added that we must be resilient as a community against the purported symbol of fear that has been placed near an institution that reminds us of America’s racist history. Although the sight of a rope hanging has typically been a symbol of racism and hate, Homeland Security refused to call the rope a “noose,” despite the supposed meaning behind the hanging rope. Still, it was kept as evidence for the investigation.
“It was deemed not to be a ‘noose’”’ by Homeland Security and has since been removed from the premises for evidence.”
Kyler Winston-Kendricks, who is employed at the museum, stated that this incident occurred right before the commemoration of the 1906 (Atlanta) race massacre.
WASHINGTON, DC - OCTOBER 25: A student at Howard University campus walks past a digital screen in Washington, D.C., Monday, October 25, 2021. (Photo by Salwan Georges/The Washington Post via Getty Images)
Jamaican Scholars At Howard University Receive $100K In Scholarships
The HBCU experience goes global.
Howard University students of Jamaican heritage received significant financial aid thanks to the Jamaican Howard University Affinity Network (JHUAN). The organization awarded over $100,000 in scholarships to 26 students during its 7th annual HUes of Blue awards ceremony, held on September 13.
The recipients are full-time students with a GPA of 3.0 or higher. Each awardee, either born in Jamaica or of Jamaican descent, received $4,000 to help cover educational costs.
In addition to awarding scholarships, JHUAN recognized two Howard alumni. Arlene Isaacs-Lowe, Independent Board Director for Compass Group PLC, and Christopher Williams, former CEO of NCB Capital Markets, received Impact Awards for their professional achievements and community service.
Founded in 2018 by Jamaica’s former Ambassador to the United States, Audrey Marks, and Howard University’s 17th President, Dr. Wayne A. I. Frederick, JHUAN was created to mentor and financially support students of Jamaican heritage. The network also works to expand opportunities for students, increase their visibility, and foster a culture of giving back to the university.
This year’s gala featured a keynote speech by Jamaica’s U.S. Ambassador, Major General (Ret’d) Antony Anderson. After presenting the awards, Ambassador Anderson congratulated the students and urged them to donate to JHUAN after they’ve graduated, to ensure that future students will have the same opportunities.
JHUAN President and Howard University Board of Trustees member, Don Chastian, echoed that sentiment. “As an alumnus who has benefited greatly from Howard University, it is important that we look for ways to support our academic institutions and pay it forward,” Chastian told the Jamaica Observer.
“JHUAN exists to inspire our students to dream more, learn more, and become more. That is what we hope to inculcate with the help of our partners, donors, and academic institutions,” Chastian said.
At the event,JHUANreceiveda$100,000donationfromHowardalumnaLisaBrownAlexander,alongwithanadditional$100,000forthescholarshipfund,accordingtoCaribbeanNews Weekly.
Since its inception, JHUAN has awarded 115 scholarships totaling $463,000.
Women Say Travel Company Owner Owes Them Thousands For Luxury Trips That Never Happened
A group of Atlanta women say a dream vacation turned into a nightmare.
Women say they they paid thousands for luxury trips through Atlanta-based travel company Divas of Distinction only to arrive at various destinations to find they had no hotel reservations, transportation, or any planned activities.
“It was a nightmare,” Katrina Wilson told WSBTV investigative reporter Ashli Lincoln. “The address she gave us.. it was nothing like what was advertised.”
Wilson and other travelers expected to stay at a 5-bedroom estate in New Orleans, but upon arriving, learned the travel company had never booked the property. One victim said a property manager mistakenly let her in, which put her in harm’s way.
“I’m in there taking a shower, which is very dangerous, because I’m in someone’s property where I’m not supposed to be,” Angela White told WSBTV.
According to the victims, company owner Quneil Rayside promised luxury travel experiences to destinations such as Dubai and Costa Rica. Cheyne Rittenberry said she paid Rayside for a trip to Dubai before discovering that the travel company had not made any hotel arrangements.
Many of the women shared that they felt a personal connection with Rayside, who described the group as a “sisterhood.”
“She’s good at what she does. She knows how to prey on you,” Wilson said.
According to court records obtained by WSB-TV, Rayside was evicted from her townhome in an Atlanta suburb in August. Landlords accused her of failing to pay $15,700 in back rent.
WSB-TV tried reaching out multiple times to Rayside, who did not respond.
According to the victims, Rayside also ran a party rental business, where a woman filed a claim that Rayside owed her $5,000.
Victims claim that collectively they are owed more than $30,000 by Rayside. Many say they have filed police reports and complaints with Georgia authorities.
The Divas of Distinction website was temporarily shut down, but it’s now back online with its homepage stating, “Coming Soon.”
Obama Calls Out The White House’s ‘Mistake’ In Sparking Division Around Kirk’s Death
Barack Obama calls out the messaging from political leaders in wake of Charlie Kirk’s death.
Barack Obama is weighing in on the growing divisions following Charlie Kirk’s death, criticizing the White House for what he called a “mistake” in trying to pin blame by identifying an enemy.
Speaking at the Jefferson Educational Society in Erie, Pennsylvania, on Sept. 16, the former president warned the nation is “at an inflection point” amid a surge of political violence, citing the recent assassinations of Charlie Kirk and Minnesota House Speaker Melissa Hortman and her husband, CBS News reports.
“Regardless of where you are on the political spectrum, what happened to Charlie Kirk was horrific and a tragedy… There are no ifs, ands, or buts about it,” Obama said. “The central premise of our democratic system is that we are allowed to disagree and have, sometimes, really contentious debates, without resorting to violence.”
Along with the rising political violence, Obama warned of “a host of larger trends that we have to be concerned about,” including leaders whose responses to Kirk’s assassination risk deepening national division.
“There’s been some confusion, I think, around this lately, and frankly, coming from the White House and some of the other positions of authority that suggest, even before we had determined who the perpetrator of this evil act was, that somehow we’re going to identify an enemy,” Obama said.
Though he didn’t name Trump, the 44th president’s comments came days after Trump blamed Kirk’s assassination on the “radical left.” Obama called the move a “mistake” that deepens America’s divisions.
“When I hear not just our current president, but his aides, who have a history of calling political opponents ‘vermin,’ enemies who need to be ‘targeted,’ that speaks to a broader problem that we have right now, and something that we’re going to have to grapple with – all of us,” he said.
“We’re going to suggest that somehow that enemy was at fault, and we are then going to use that as a rationale for trying to silence discussion around who we are as a country and what direction we should go. And that’s a mistake as well.”
Amid calls for a “divorce” between Republicans and Democrats from Georgia Rep. Marjorie Taylor Greene and Vice President JD Vance, attributing Kirk’s death to “left-wing extremism,” Obama takes a different approach by reminding people about the “core values” of America’s democracy.
”Whether we’re Democrats, Republicans, independents, we have to recognize that on both sides, undoubtedly, there are people who are extremists and who say things that are contrary to what I believe are America’s core values,” he said.
“And I think at moments like this, when tensions are high, then part of the job of the president is to pull people together.” If not, then we land in a “political crisis of the sort that we haven’t seen before,” he added.
Obama continued to speak out after Jimmy Kimmel’s late-night show was canceled over his remarks on Trump’s response to Kirk’s death. Talking to X on Sept. 18, Obama called out the Trump administration for taking cancel culture to a “new and dangerous level” by having media figures fired or removed for saying things they don’t like.
This is precisely the kind of government coercion that the First Amendment was designed to prevent — and media companies need to start standing up rather than capitulating to it. https://t.co/gOjqFnGv0I
”This is precisely the kind of government coercion that the First Amendment was designed to prevent — and media companies need to start standing up rather than capitulating to it,” he added.
Christian Louboutin Names Jaden Smith First Men’s Creative Director
'I want to continue the story, honoring the past while shaping the future through my own perspective.'
Jaden Smith will move to Paris to become the first-ever men’s creative director for Christian Louboutin.
Maison Christian Louboutin made the announcement in a social media post. The son of rapper/actor Will and actress Jada Pinkett-Smith will oversee the creation of four collections annually.
“Merging my vision with Christian’s comes quite naturally because we see the world in a very similar way. There’s a shared respect for creative freedom, and I think that’s why it works,” said Smith in a written statement. “I want to continue the story, honoring the past while shaping the future through my own perspective. It isn’t just a title—it’s a creative home. Christian has given me a place to explore, to learn, and to create freely. His legacy is built on hard work and joy, and I want to carry that forward.”
The two men met in 2019 and formed a relationship. The conversations between the two led to admiration of each other’s visions, and now, as the creative director, Smith will flex his creative muscle for the popular fashion brand.
“When I first met Jaden, I saw in him a natural fit for the Maison. His world is rich and multidimensional, his style and cultural sensibility are inspiring, and his curiosity and openness are remarkable. I felt that with his creative direction, our men’s collection would evolve in an exciting and dynamic way. He feels like the perfect addition to our creative team, and I am truly looking forward to having fun working with him on our men’s collections,” Louboutin said.
Maison Christian Louboutin is pleased to welcome Jaden Smith as the first Men’s Creative Director.
“When I first met Jaden, I saw in him a natural fit for the Maison, his world is rich and multidimensional, his style and cultural sensibility are inspiring and his curiosity and… pic.twitter.com/PFfUbXPG4J
