Atlanta Came To Slay And Celebrate At The 2025 Original Sundresses & Seersuckers® Weekend

Atlanta Came To Slay And Celebrate At The 2025 Original Sundresses & Seersuckers® Weekend

ATL was buzzing with style.


This past weekend, Atlanta was buzzing with style, soul, and summertime sophistication as the Original Sundresses & Seersuckers® XIV weekend took over the city. Hosted by the distinguished brothers of Omega Psi Phi Fraternity Inc., Delta Mu Mu Chapter, and produced by Commitment to Excellence, Inc., the celebration served as one of the most exciting and well-attended events this summer.

Established with the goal of gathering like-minded individuals to celebrate and support our community by supporting our youth, this year’s Sundresses and Seersuckers was a sold-out event featuring four consecutive days of fun and fellowship. From Thursday’s Meet & Greet at Suite Lounge, where the vibes were smooth and the outfits already giving, to Sunday’s Day Party that wrapped things up with one last turn-up, the entire weekend was a perfectly curated mix of connection, community, and classic ATL flavor.

On Friday, guests enjoyed The Marketplace and The PreVue, a full-day experience at the Hyatt Regency Atlanta where wellness, shopping, and joy collided. By the time Friday night’s PreQuel dress rehearsal hit Southern Exchange, the city was officially outside.

But of course, all roads led to Saturday’s main event at the Home Depot Backyard—the legendary Sundresses & Seersuckers party with a purpose. With Big Tigger holding down the mic and Quinn + Jukebox of Atlanta rocking the stage, even a brief storm couldn’t keep people away. The crowd showed up and showed out in their freshest fits, and Mayor Andre Dickens even pulled up to show love and speak to the crowd, reminding everyone that Atlanta supports events that uplift the culture and the community.

And speaking of support, this wasn’t just a good time. Proceeds from the weekend benefited the Delta Mu Mu Chapter’s impactful Black Rhinos mentorship programming, pouring directly into the next generation of Black excellence.

One of the standout activations of the evening was the Black Beverage Experience—a beautifully curated area spotlighting Black-owned spirits brands and a lineup of food trucks that kept the crowd fueled and festive well into the night.

After the main event, attendees danced into the early morning at the AfterGroove, and just when you thought the weekend was over, Sunday’s Day Party brought the energy right back to the Suite Lounge.

Stylish, soulful, and purpose-driven, the Original Sundresses & Seersuckers® weekend once again proved why it’s one of Atlanta’s most anticipated cultural experiences of the year. If you missed it, start planning for next year now because this is one tradition that keeps getting better with time.

RELATED CONTENT: Sundresses & Seersuckers: The Atlanta Festival That Funds Scholarships For Young Black Men

Jamie Foxx, African American Film Critics Association, luncheon

‘God is Good:’ Jamie Foxx Delivers Emotional ‘Thanks’ To Black People For BET Ultimate Icon Award

'I say this all the time, thank you to Black people and the Black award, because this is what really counts. A lot of people think like the Oscars is the biggest thing, and we got to quit thinking like that.'


After surviving a life-threatening hospital stay a little over two years ago, comedian Jamie Foxx tearfully acknowledged his second chance in life and thanked Black people while accepting the 2025 BET Ultimate Icon Award on June 9.

According to The Hollywood Reporter, the multitalented entertainer, in accepting his award, tearfully broke down and stated that he’s not gonna “turn down” his second chance after being in a coma from a health scare suffered in 2023. In April 2023, his daughter, Corinne Foxx, revealed to the world that her father had a “medical complication” that sent the Hollywood star to the hospital.

“I cannot even begin to express the love that I feel from everybody out there,” Foxx told the crowd at the awards show. “I gotta be honest, when I saw the In Memoriam, I was like, man, it could have been me. I don’t know why I went through what I went through, but I know my second chance, I’m not gonna turn down.”

He thanked Black people for their prayers and the support during his health issues, expressing that when he was able to perform a stand-up concert, he made sure it was in front of a Black audience.

“And I’m gonna do right in front of y’all ’cause I know a lot of times when we get on, we forget about where we come from. When I did my special, it was in front of Black people. Black people were the ones that said, ‘Man, we got you.’ Not to say that white people can’t pray either. I know that sounds weird, but y’all know what I’m saying. It’s like you guys held me down, and I don’t want to make this whole speech about that, but you can’t go through something like that and not testify.”

Foxx also acknowledged that the BET Awards were a bigger prize than the Oscar he received previously.

“I say this all the time, thank you to Black people and the Black award, because this is what really counts. A lot of people think like the Oscars is the biggest thing, and we got to quit thinking like that. And that’s coming from a person who won an Oscar, I was nominated twice, but the Icon Award is the most important award because it comes from us.”

The 25th BET Awards were held at the Peacock Theater in Los Angeles.

RELATED CONTENT:  BET Awards’ 25th Anniversary Will Reunite ‘106 & Park’ Hosts

North Carolina, Kinston, comdemnation, Black homes

Franks House Honored As Symbol of Black History and Resilience

The Franks House was known as a hub of Black community in the Third Ward neighborhood.


A ceremony over the weekend of June 6 in Charlotte, North Carolina, paid tribute to a stalwart piece of the city’s Black heritage: the Franks House. As one of the last surviving Black-owned homes from the once-thriving Third Ward neighborhood, the Franks House now bears an official historical marker.

City officials gathered at the United House of Prayer on Mint Street to unveil a newly made historical marker recognizing the Franks House at 305 Dunbar Street.

The home was originally purchased in 1949 by Arthur and Bessie Franks, and it quickly became a symbol of something much more impactful than just a home.

As reported by WCNC, the Charlotte home was a pulse point of the community.

The Franks’ home hosted family, friends, and neighbors each Sunday after church. Community members would gather to enjoy Bessie’s notorious hospitality and home cooking.

The home bearing the newly anointed historical marker would regularly welcome gatherings of 50 or more people.

“Sunday afternoons at the Franks’ were about more than food,” one attendee recalled. “They were about belonging.”

During the mid-20th century, Charlotte’s Third Ward was a thriving Black neighborhood characterized by its diverse businesses, churches, and strong family ties.

However, in the beginning in the 1960s, the flourishing Black community population was slowly dismantled by urban renewal projects, leading to many families being displaced.

Most of the family homes and long-standing businesses in the area disappeared, but the Franks House endured. It remained in the family for over 60 years.

Although the Franks House was officially made a historic landmark in 2022, the May 7 celebration unveiled its physical marker.

The unveiling ceremony featured speeches and was backed by music from the Horns of Glory brass band to honor the displaced Black community.

During the event, County Commissioner Mark Jerrell said, “Before you see all the bright and shiny objects, there was a thriving community here. There were businesses, churches, and families that built this neighborhood.”

RELATED CONTENT: Remains Of 19 Black Americans Used In Research Returned To New Orleans For Memorial Ceremony

Oprah Winfrey, Taraji P. Henson, The Color Purple, Pay Gap, the greatest champion

Taraji P. Henson Says There Is No Smoke Between Her And Oprah

Taraji P. Henson debunks claims she is feuding with Oprah, calling the continued slander "disrespectful."


Taraji P. Henson clarifies that she and Oprah Winfrey are not feuding. 

Henson is on a press run for her new movie, Straw. While speaking with The Breakfast Club, Henson made a point to praise the former talk show host. Henson made it clear that she and Oprah are still in contact, and she has nothing but good feelings toward the billionaire. Henson believes the rumor was a targeted attack on the women’s relationship.

“Me and Oprah, I just have a love and a fondness for her,” Henson stated. “She just texted me the other day, commending me on a job well done in Straw. That was all fictitious, to draw a wedge between me and her.”

Henson thinks another purpose of the rumor was to derail The Color Purple, a fully Black ensemble film. 

“I think it was just a campaign so that this Black movie wouldn’t do well,” she said.

A rift between the women was reported during the press run for The Color Purple. Henson played the iconic “Shug Avery” in the film produced by Oprah and Tyler Perry.  

Breakfast Club host Charlamagne the God referenced the supposed tension while discussing pay disparity. 

“You know a lot of people thought you were kicking Tyler and Oprah’s back in. … When you were complaining about the pay,” he said.

Henson immediately shot down those claims. A longtime advocate for mental health through her Boris Lawrence Henderson Foundation. She reinforced her commitment to uplifting others. As her philanthropy is centered around mental health, she made clear that disparaging another woman is not in her character.

“When have you ever seen me drag another woman, particularly a Black woman, ever? I’m 10 toes down for us,” Henson said. 

Oprah has also denied rumors of bad blood between her and the Acrimony actress.

“There’s no validity to there being a thing between Taraji and I,” Winfrey told Entertainment Tonight. “Taraji will tell you herself that I’ve been the greatest champion of this film. Championing not only the behind-the-scenes projection but also everything that everybody needed.”

Now that the rumors have been debunked, Henson can continue promoting her new film. Straw is a Tyler Perry-produced drama available on Netflix.

RELATED CONTENT: Taraji P. Henson Expands Mental Health Mission At Coppin State University

Bomesi Summit

BOMESI Summit Unites Black Media Leaders In Detroit For Growth And Legacy

Participants explored the ongoing legacy of Black-owned media while charting pathways for future sustainability.


The Black-Owned Media Equity & Sustainability Institute (BOMESI) concluded its impactful 2025 summit in Detroit this weekend, drawing a diverse assembly of Black media owners, publishers, and innovators focused on strengthening the industry’s future.

From June 6-8, at the Cambria Hotel Detroit Downtown, the conference underscored themes of “growth rooted in legacy, ownership, and the continued evolution of Black-owned media,” leveraging Detroit’s rich cultural tapestry as a backdrop.

The summit aimed to empower and equip Black-owned media platforms, recognizing their critical role in shaping narratives and fostering community. Rhonesha Byng, co-founder of BOMESI and founder/CEO of Her Agenda, alongside DéVon Christopher Johnson, co-founder of BOMESI and founder and CEO of BleuLife Media Group, championed the event as a vital gathering to “pour into the media publishers, platforms, and people shaping our future.”

Discussions spanned actionable insights for business longevity, authentic community-building, and resource sharing, with attendees engaging in expert-led panels and industry-specific workshops. Sessions delved into monetization strategies, advertising sales, audience development, and digital transformation, all tailored to address Black-owned media’s unique challenges and opportunities.

 The Detroit setting, a city renowned for its historical significance in cultivating Black excellence, from the Underground Railroad to Motown Records, provided a potent symbol for the summit’s mission to foster growth and innovation.

A key session, titled “On the other side of the rainbow: How to reach LGBTQ consumers beyond a flag,” featured Emil Wilbekin and Alex Hughes, founder and CEO of Hughes Brand Group, as speakers, offering strategies for authentic engagement with the LGBTQ consumer base. 

The conversation was expertly moderated by Giselle Phelps, CEO & founder of Grand Rising Talent, highlighting the summit’s commitment to comprehensive discussions on inclusive marketing and audience reach.

Another summit highlight was the Lunch & Awards ceremony graciously sponsored by AdGrid. This segment honored key figures who have made significant contributions to the media landscape. 

Rashad Robinson, a prominent advocate, was celebrated as an award recipient and recognized for his impactful work. “Grouchy” Greg Watkins, the insightful founder of AllHipHop/BIPOC Premium Supply Co., also received an award for his foundational efforts in Black media. 

Additionally, Brianne Boles-Marshall, the influential Diversity Media Strategy & Investment Lead at GM, was honored, underscoring the summit’s commitment to acknowledging leaders across diverse facets of the industry.

Participants explored the ongoing legacy of Black-owned media while charting pathways for future sustainability. The event also highlighted the continuing efforts of initiatives like the BOMESI Accelerator, which works to position Black-owned media companies for sustainable business with major advertisers, bridging gaps in infrastructure and access to capital. 

The collective energy and shared commitment underscored a powerful vision for a more inclusive and representative media landscape, reinforcing the indispensable voice of Black-owned platforms today.

RELATED CONTENT: Elevating Your Excellence: Earl ‘Butch’ Graves Jr. Leads Black Enterprise’s 55-Year Charge With Unwavering Vision

Carla Hayden, DEI

Carla Hayden Speaks Out After Sudden Termination From Library Of Congress Post

The Trump administration credited Hayden's removal to her alleged role in making "inappropriate books" accessible to kids.


Dr. Carla Hayden, the first woman and Black person to serve as Librarian of Congress, is speaking out after being abruptly dismissed from her position May 8. Initially appointed by President Barack Obama in 2016, Hayden was nearing the end of her 10-year term when she received an unexpected email at the behest of the Trump administration last month informing her that her tenure had been “terminated effective immediately.”

“I was never notified beforehand, and after,” Hayden said in an interview with CBS News. “No one has talked to me directly at all from the White House.”


“It just started with ‘Carla,” she recalled the message that informed her of her termination. “I received no phone call, no conversation–nothing from the White House,” she told the outlet.

Hayden clarified that she has personally never had any conflict with the Trump administration, which made the move even more surprising.

“I don’t think it was personal,” Hayden said.

The Trump administration’s White House Press Secretary Karoline Leavitt later explained that the reason behind Hayden’s firing was that she allegedly “did not fit the needs of the American people.”

The White House claimed her abrupt removal was tied to concerns about her support for diversity, equity, and inclusion (DEI) initiatives and her alleged role in making “inappropriate books” accessible to children.

The reasoning left Hayden even more astonished, as she clarified that the Library of Congress does not function as a public lending library.

“I was concerned there might be a lack of understanding about what the Library actually does,” Hayden expressed.

“It’s been puzzling in many ways to think about being ‘inclusive’ as a negative.”

Hayden’s removal has ignited backlash across the literary and academic communities.

Supporters gathered at Washington, D.C.’s Martin Luther King Jr. Library following the news, where author Kwame Alexander told the crowd, “The firing of our distinguished, esteemed Librarian of Congress, Dr. Carla Hayden, makes it clear to us that the freedom to read, the freedom to learn, the freedom to express ourselves is under attack.”

For Hayden, the overwhelming support has been moving. “It’s so humbling to have that outpouring,” she said. “But what is really, I think, part of this feeling is that it’s part of a larger-seeming effort to diminish opportunities for the general public to have free access to information and inspiration.”

This most recent move by the Trump administration is being viewed as part of a broader effort by President Trump to remake the cultural makeup of institutions, especially surrounding DEI initiatives.

RELATED CONTENT: Trump Rescinds Federal Contractor Minimum Wage Hike, Disproportionately Harming Black Workers in Key States

FAMU, Florida A and M University,DI, Black History Month

FAMU Athletic Director Turns Herself In For Fraud, Larceny Charges

Suggs had just returned to work at her alma mater in September 2024.


Florida A&M University’s Athletic Director Angela Suggs has turned herself in to face fraud and larceny charges over her last employment.

Suggs received the charges from her work as the former president and CEO of the Florida Sports Foundation. Suggs had assumed her new role with the HBCU in September 2024. However, her tenure was cut short following an investigation by the Florida Department of Law Enforcement (FDLE).

According to HBCU Gameday, the department first launched the investigation last November. They found that Suggs used a company-issued credit card to make wire transfers, take out cash, and make personal transactions, particularly at casinos while out of town for the FSF. Her unauthorized spending totaled $24,000.

As president and CEO of the FSF, Suggs oversaw the state’s sports tourism industry. In the role, she helped maintain and secure hosting gigs for sporting events and businesses across Florida. She also managed grant programs that aided amateur and professional sports organizations.

However, Suggs’ alleged financial abuse of the role continued. She reportedly falsified travel vouchers, disguising the payments by coding them as meals. She was called out for the misuse of funds, but claimed it was unintentional. Although she stated she’d repay them, she never fully did so.

Before her arrest, Suggs transitioned to FAMU to help stabilize its athletic leadership. She sought to increase fundraising and sustainability efforts for the HBCU’s sports programs. She previously worked at the school as Sr. Associate Athletic Director, where she reworked the branding for the sports teams, which is still used today. Her work also contributed to increased ticket sales and corporate partnerships. The university even acquired several championships during her tenure as well.

The FAMU alum has been part of the university’s community since birth. Suggs also attended all three levels of grade school within the Tallahassee grounds before attending undergrad there. Ahead of her return in a higher office, Suggs remained a respected figure in FAMU’s alumni and faculty community.

Now, Suggs must deal with four counts of fraud claims for travel expenses, one count of fraud-swindling to obtain property under $20,000, and larceny grand theft $20,000 or more but under $100,000. She was released on bond, which totaled around $15,000.

Florida A&M’s Interim President Dr. Timothy Beard released a statement in light of her arrest.

“Florida A&M University is aware of the allegations involving our athletics director, Angela Suggs, while she was working with a former employer. While the matter is unrelated to her duties as an employee at FAMU, we are monitoring the situation and will respond in the future as appropriate,” wrote Dr. Beard.

RELATED CONTENT: FAMU President-Elect Marva Johnson Reportedly Offered $650K Salary

RENDERATL

Justin E. Samuels Built RenderATL Into Technology’s Most Culturally Charged Conference

Those early days were tough


When Justin E. Samuels first stepped into the technology conference scene more than a decade ago, he didn’t just notice a gap. He felt it.

“I’d go to these events where the speakers were solid and the information was useful, but the energy was always the same,” Samuels recalls. “Corporate. Stiff. Disconnected from real culture. I’d leave with maybe one good note in my phone, but no real connection. No spark.”

That missing spark became the driving force behind RenderATL, now one of the country’s fastest-growing and most culture-forward tech conferences. Launched as a fully bootstrapped idea by Samuels, a longtime engineer and founder, RenderATL was built from the ground up with an intentional focus: community, culture, and cutting-edge tech all in one immersive experience.

A New Kind of Conference

The idea for RenderATL wasn’t born from one big aha moment, but rather a series of realizations over time. Samuels saw a pattern. Brilliant developers, creatives, product managers, and founders weren’t getting the visibility or access they deserved because they didn’t fit the traditional tech mold.

“We don’t need another version of the same thing,” he says. “We need something new. Something that honors our creativity, our energy, our way of showing up.”

That belief drove the RenderATL blueprint not just to compete with existing conferences but to create an entirely new lane: Think professional development by day, live shows and cultural events by night—tech with a vibe.

Building Without a Blueprint

RenderATL is even more remarkable because it wasn’t bankrolled by Silicon Valley or propped up by big investors. Samuels launched the conference with no trust fund, no VC backing, just a vision, a Google Doc, and a tight-knit network that believed in what he was building.

“Every decision had to be strategic,” he explains. “We had to convince speakers, attendees, and sponsors to believe in something that didn’t even exist yet. That meant showing up with excellence from day one.”

Those early days were tough. Logistics, trust-building, and credibility were uphill battles, but Samuels credits execution and consistency as the keys to building RenderATL’s momentum.

Where Tech Meets Culture

While many tech events tout innovation, not all are innovative in form. RenderATL flips that model by making culture a core pillar, not an afterthought.

“When you strip away the music, the food, the vibe, what’s left is just another lanyard and a boxed lunch,” Samuels says. “We said nah, we’re bringing the whole package.”

That package is what makes RenderATL feel like no other tech gathering. It’s a place where you might attend a workshop on AI leadership in the afternoon and be front row at a concert with your favorite artist by evening. That fusion of learning and lived experience is what keeps people coming back and what sets RenderATL apart.

Full-Circle Moments

Samuels has had many proud moments on this journey, but one stands out.

“Last year, I stood backstage and looked out at this sea of people who flew in from around the world for something we built from nothing,” he says. “That hit me hard. It was a full-circle moment.”

Still, the messages he gets after the fact are what remind him of the real impact. “It’s the DM that says, ‘I got my first tech job because of Render.’ Or the one that says, ‘I met my co-founder there.’ That’s the kind of ROI that I care about.”

Scaling With Intention

Even with RenderATL’s rising popularity, Samuels is focused on scaling slowly and deliberately. He’s not interested in expanding for expansion’s sake.

“I’m not trying to slap our name on everything,” he says. “We’re building media, pop-ups, and year-round community support. But the focus is still what it’s always been: authenticity, creativity, and respect for the people who make tech what it is.”

For Samuels, growth isn’t just about size. It’s about redefining what growth means in tech.

Advice for the Next Generation

When asked what advice he has for entrepreneurs looking to build community-driven brands, especially in tech, Samuels doesn’t sugarcoat it.

“Don’t wait for perfect. Use what you’ve got and get to work,” he says. “I didn’t have investors or a production team. I had an idea and a doc.”

He emphasizes the importance of building community before chasing clout. “Hype dies fast. Trust lasts. Know your audience, listen more than you pitch, and when it gets hard, and it will, remember why you started.”

But above all, Samuels urges others to bet on themselves. “If you’re not your biggest believer, you can’t expect anyone else to be.”

RenderATL is redefining what a tech conference can be: community-centered, culture-rich, and built for the future. 

RELATED CONTENT: B.E.’s Disruptor Summit Returns To ATL Featuring Nick Cannon, Cam’ron, Arian Simone And More

Rick Ross, Car Show

Rick Ross Car Show Goes Off Without A Hitch

The rapper’s event did a complete 180-degree turn around for the better


Rick Ross proves he is one of the hardest and smartest working rappers-turned-businessmen without abandoning his core audience—an estimated 8,000 showed up at his annual car show June 7. The car show boasted a good time, food vendors, and performances from Plies, a fellow Floridian, and Rozay himself. Ross received a second proclamation at the notable car show in less than a week. The first proclamation was given by Georgia state congresswoman Nikema Williams. Ross also introduced a new line of luxury bags.

Logistics around the Rick Ross Car Show had been a concern in earlier years. Complaints of traffic and accessibility plagued the event after reports that ADA accommodations were shirked. Ross and car show organizers did a complete 180-degree turnaround this go around. Charters shuttled ticket holders to and from the venue, which was wheelchair accessible and provided wheelchair transport as well. 

The Atlanta event took place at his sprawling property, The Promised Land, where Ross laid out his high-end fleet of luxury and vintage vehicles. The boss rapper invited attendees to come through and enjoy the festivities for $250, with general admission, and to arrive in their own, draped-up and tricked-out rides. Participants who entered their bikes and cars in the show paid $750. This handsome fee also included two entry tickets. Blinged-out key winners, in a spectrum of categories, won prizes that were nothing to sneeze at. Peep the list below:

  • Donk of the Year: @str8_donk_ryder
    •  71 Impala
  • Car of the Year: @p_junky73 @dutchboys_hotrods
    •  87 Grand National
  • Lowrider of the Year: @johnnysalters
    • 59 Impala
  • Hot Rod of the Year: @cliffmattis
    •  57 Bel Air
  • Hustler of the Year: @bookezzymoney
    • Fleet
  • Truck of the Year: @sld_jake @stateline_diesel 22
    •  F250

Check out a few highlights from the 2025 Rick Ross Car Show below: 

RELATED CONTENTRick Ross And Dr. Mario Montoya Are All ‘Smiles’ After Opening Cosmetic Dentistry Business

Shilo Sanders, NIL, lawsuit

Shilo Sanders Sends Former Colorado Teammates Apple Watches

Defensive lineman Tawfiq Thomas posted a video of the gifts to social media


Former Colorado Buffaloes player Shilo Sanders, now a rookie signed to the Tampa Bay Buccaneers, recently gifted the team he played for over the last two years with brand new Apple Watches.

A video posted on social media showed team members displaying the watches and expressing excitement about receiving them from the former Buffalo player. Defensive lineman Tawfiq Thomas posted the original video.

WARNING: Adult language

Shilo, like his younger brother, Cleveland Browns quarterback Shedeur Sanders, played football under the coaching guidance of their father, Deion Sanders, a member of the NFL Hall of Fame. Shilo played the safety position at the two colleges his father coached, Jackson State and the University of Colorado Boulder. He also played with South Carolina. At the University of Colorado Boulder, he started 19 games during the 2023 and 2024 seasons. He totaled 134 tackles, forced five fumbles, and recorded one sack and an interception that he returned for a touchdown.

After failing to get drafted in the recent NFL Draft, he connected with football agent Drew Rosenhaus, having taken to social media to inform the world that he was “firing” his famous father, who had been acting as his agent. He jokingly stated that with “Coach Prime” acting as his representative, the offers did not come in, so he had to go in a different direction.

“Dad was our agent, but that hasn’t been working out too good. So today I had to sign with an agent.”

The gamble paid off, as shortly after signing with the esteemed veteran, Rosenhaus secured a signed contract for Shilo with the Tampa Bay Buccaneers.

After Shilo graduated from Colorado, the safety left with a Master’s Degree in Organizational Leadership, according to Sports Illustrated.

RELATED CONTENT: New Tampa Bay Buccaneers Player Shilo Sanders ‘Fires’ Coach Prime To Hire NFL Agent

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