by Mary Spiller

March 14, 2026

Say Goodbye To BET+ As Tyler Perry Sells His Stake To Paramount

The streaming platform’s programming will migrate to Paramount+ this summer as the company consolidates its streaming offerings.

The streaming platform BET+ will shut down later this year, with its shows and films set to move to Paramount+ as part of a broader effort by the company to streamline its digital entertainment services.

Paramount Skydance confirmed Friday that it has purchased the ownership stake held by Tyler Perry Studios in BET+, clearing the way for the transition. Financial details of the buyout were not publicly released, though industry estimates place the value in the tens of millions of dollars.

Beginning in June, roughly 1,000 hours of content currently available on BET+ will become part of the Paramount+ library. The programming includes several popular series tied to Tyler Perry, such as “All the Queen’s Men” and “Zatima,” as well as other titles, including “The Ms. Pat Show” and the critically praised “Diarra From Detroit.”

According to the Hollywood Reporter, executives say the change is designed to expand the reach of BET’s programming by bringing it to a larger global streaming audience. In a message sent to employees, Louis Carr, president of BET Networks, framed the decision as a strategic step forward for the brand.

“Beginning in June, we are expanding our reach by making Paramount+ the new home for BET+ content,” Carr wrote in the memo. “This powerful next step ensures the stories we champion, the creators we support, and the culture we represent go further than ever before.”

The integration will introduce Paramount+ subscribers to a large library of BET programming through a dedicated hub on the platform. According to Carr, viewers will gain access to more than 1,000 hours of programming spanning series, films, and original productions representing a wide range of Black storytelling.

“Our celebrated Black storytelling will live alongside Paramount’s premium series, sports, specials, and films, where it will be clearly branded, prominently featured, and easy to find in the BET Hub,” Carr said in the memo.

The shift also aligns with a larger strategy inside Paramount’s streaming division. Company leadership has repeatedly emphasized the goal of expanding Paramount+ while simplifying the company’s digital services. CEO David Ellison has signaled that growing Paramount+ into a larger, unified streaming destination is a priority for the media company.

Carr also reassured staff that BET itself will remain a central part of the company’s future, even as its streaming product changes. “BET is a cornerstone of Black culture and an essential part of Paramount’s portfolio and long-term content strategy,” he wrote.

The cable network will continue operating its traditional television channel and studio operations, while its digital platforms and FAST streaming channels remain active.

Carr closed the message by emphasizing the importance of BET’s cultural role and the employees behind it. “BET remains strong because of you, your creativity, your resilience, and your unwavering belief in the power of our stories,” he wrote, adding that the transition represents an opportunity to bring BET’s voice “to an even greater global scale.”

Target , boycott, target fast, jamal bryant

by Ann Brown

March 14, 2026

‘Absolutely Not A Dime’: Pastor Jamal Bryant Denies Being Paid To End Target Fast, Admits ‘Struggle Continues’

'This week, I failed...I called for the end of the Target Fast,' he said on his podcast.

The pastor of New Birth Missionary Baptist Church, Jamal Bryant, has addressed on his podcast, “Let’s Be Clear,” the controversy surrounding his ending of the year-long “Target Fast” protest, denying claims that he or his colleagues were financially compensated to end the campaign.

“Absolutely not a dime for even our meetings,” Bryant told Capital B Atlanta. “I bought my own plane ticket, bought my own hotel. Target has never even bought me lunch.” The pastor expressed frustration over social media backlash that accused him of lifting the fast for financial gain. But he admits he misstepped when calling an end to the Target Fast.

The Target Fast, launched in March 2025, was designed to mobilize the Black church and encourage economic activism, not to replace ongoing civic actions.

“This week, I failed…I called for the end of the Target Fast,” he said on his podcast on March 13. “Most in our community and culture were disappointed, angry, frustrated, and bewildered. What did it mean? Have you sold out? Have you given up?” You wave it wave the white flag, and emphatically the answer is no. I wanted to walk you through what has taken place over the last year that has gotten us to the place where we are right now. “

He went on to explain the Target Fast. “A year ago, the Target boycott started in two different places. One in Cleveland, the other in Minneapolis, Minnesota, distinctively by two significantly strong sisters, attorney Nekima (Levy Armstrong) and former Representative Nina Turner. I watched it play out in real time, and it dawned on me that the Black church was not a part of the equation or the conversation. To mobilize the Black Church to be part of the boycott, he called for the Target Fast,” he said, adding that he did not aim to take the spotlight from Armstrong and Turner, but to “walk alongside them.”

The Target Fast, he said, was to go 40 days, from Ash Wednesday to Easter 2025, with four concessions asked of Target.

The Target Fast sought to achieve four major goals: restore corporate DEI commitments, honor a $2 billion pledge in George Floyd-related investments, increase support for Black banks, and build partnerships with HBCUs for business education. Bryant highlighted that the community’s collective fasting and strategic withholding of dollars had a significant impact. Target has reportedly completed 97% of the $2 billion pledge, with the remainder expected by Easter, and has contributed millions to HBCU programs and Black-led community organizations. However, investments in Black banks remain unfulfilled.

However, without these concessions seemingly being met, Bryant called an end to the Target Fast earlier this week, a mistake he now concedes.

He noted that he considered Target Fast as just a “strategy” of the overall Target boycott, not the boycott itself. He admits to being “out of touch” with what the community wanted and demanded. “I have heard you…not having a good read of the room, I take full responsibility.”

Bryant stressed the importance of accurate reporting and understanding the movement’s scope. “The Target Fast entity, which is the faith-based initiative, is claiming victory,” he said, reiterating that no one was advised to return to shopping at Target stores. He credited Black women leaders, including Armstrong, Turner, and activist Tamika Mallory, for initiating and guiding the broader boycott.

Bryant also reflected on the movement’s communal and spiritual aspects, noting the role of 300,000 participants who signed up for the fast and engaged in cooperative economic practices, including supporting Black-owned businesses. He encouraged ongoing civic engagement, housing initiatives, and voter mobilization as extensions of the movement’s ethos.

While the Target Fast has officially concluded, Bryant affirmed that the fight for economic justice and corporate accountability continues. He called on the community to remain engaged, support Black-led initiatives, and recognize the power of collective action.

The pastor concluded, “I am grateful for the strides that we have made. The struggle continues, and the best is yet to come.”

by Mary Spiller

March 14, 2026

Federal Trademark Office Rejects Snoop Dogg’s Bid To Trademark ‘Smoke Weed Everyday’

Officials say the well-known lyric is too widely used to function as a brand name and note federal law still prohibits cannabis-related trademarks.

The United States Patent and Trademark Office has denied a federal trademark request from rapper and entrepreneur Snoop Dogg for the phrase “Smoke Weed Everyday,” ruling that the widely recognized line is too commonly used to function as a protected brand name.

The phrase originates from the closing line of the 2001 song “The Next Episode” by Dr. Dre featuring Snoop Dogg. The artist sought to secure trademark protection for the slogan as part of plans to use it for a chain of marijuana dispensaries.

In a decision issued March 10, the trademark examiner concluded that the lyric has become so broadly associated with cannabis culture that consumers would not interpret it as identifying a single company’s goods or services.

“This term or phrase is a song lyric commonly used in association with cannabis use,” the trademark examiner wrote in response to the request. “Because consumers are accustomed to seeing this term or phrase used in ordinary language by many different sources, they would not perceive it as a mark identifying the source of applicant’s goods and/or services but rather as only conveying an informational message.”

In addition to the phrase’s widespread use, the agency cited another barrier: federal law still classifies marijuana as illegal. Because of that classification, trademarks tied to products or services that violate federal law cannot receive federal registration.

“Because applicant’s goods and/or services include items or activities that are a per se violation of federal law, the intended use or use of the applied-for mark in commerce in connection with such goods and/or services cannot be lawful,” the examiner added.

Although the ruling blocks federal trademark protection for the phrase, it does not prevent Snoop Dogg from continuing to use the name in business ventures. However, according to Billboard, without a registered trademark, protecting the brand from copycat businesses could become more challenging.

The artist also retains the option to challenge the decision. The process allows applicants to respond directly to the examining attorney, appeal to the agency’s Trademark Trial and Appeal Board, and ultimately take the matter to federal court if necessary.

Snoop Dogg has already been using a variation of the phrase in his cannabis-related businesses. In Los Angeles, he operates a dispensary called S.W.E.D., an acronym derived from the lyric, and he also runs Coffeeshop S.W.E.D. in Amsterdam.

That version of the brand name has encountered fewer legal obstacles. The performer has also applied for a trademark for “S.W.E.D.,” and the application has already received preliminary approval, suggesting that the abbreviated form may ultimately secure federal protection even as the full phrase remains off-limits.

by Mary Spiller

March 14, 2026

Airline Ticket Prices Jump Worldwide As Iran War Pushes Fuel Costs Higher

Steep increases in jet fuel costs are driving steep fare hikes on domestic, international, and vacation routes, according to new airline pricing data.

Air travelers may soon face significantly higher ticket prices as global oil market instability linked to the Iran conflict drives up fuel costs for airlines.

The price of Brent crude oil has surged more than 50% over the past month, reaching roughly $101 per barrel. Jet fuel prices have climbed even faster during the same period. According to the Argus U.S. Jet Fuel Index, aviation fuel costs have jumped about 72%, creating financial pressure for airlines whose operating budgets are heavily influenced by fuel expenses.

Fuel is typically the second-largest cost for airlines after employee wages. Although many international carriers use hedging strategies to protect themselves from volatile fuel markets, most major U.S. airlines generally do not lock in prices in the same way, leaving them more exposed when costs rise sharply.

Data compiled by Deutsche Bank and analyzed by Business Insider shows that airfare is already climbing in several major travel markets. The research examined the lowest publicly listed ticket prices for flights booked 21 days in advance. Analysts noted that a published fare does not necessarily mean a traveler purchased a ticket at that price.

Domestic cross-country routes have experienced the largest weekly increases in passenger traffic. These long-distance trips, often referred to in the aviation industry as transcontinental flights, have seen prices more than double in some cases.

One of the busiest routes in the United States, the trip between New York and Los Angeles, carried roughly 3.4 million seats departing from John F. Kennedy International Airport last year, according to data from aviation analytics firm OAG. Average fares on similar coast-to-coast routes climbed from about $167 to $414, a 107% increase in the past week alone, Deutsche Bank’s analysis found.

Other domestic routes show similar spikes.

For example, United Airlines is currently listing flights from Washington Dulles International Airport to San Francisco for about $502—up from $149 roughly a month ago.

International travelers are also seeing rising costs. The route between New York and London is the busiest international corridor for U.S. flights and ranked 10th worldwide last year, with nearly four million scheduled seats between John F. Kennedy International Airport and Heathrow Airport.

Across transatlantic routes, average prices are about 40% higher than a month ago. On the New York-London route specifically, increases have been even sharper. Fares from Delta Air Lines rose from $285 to $553 in the past month, while United’s comparable service climbed to $846 — representing a 177% jump from the previous week, according to Deutsche Bank.

Leisure travelers planning Caribbean vacations are facing similar increases. Flights scheduled for March 27 to destinations in the region are about 58% more expensive on average than they were a week earlier.

A flight operated by JetBlue from New York to Santo Domingo in the Dominican Republic jumped from $165 to $566 for that date. Compared with the same period last year, the price has increased more than fourfold.

Other routes are also climbing. A flight from Baltimore to Montego Bay, Jamaica, operated by Southwest Airlines has more than doubled within a week. Meanwhile, Alaska Airlines flights from Los Angeles to San José have increased 40% week-to-week and are up about 120% compared with a year ago.

As oil prices remain volatile, travelers may continue to see airfares fluctuate, particularly on long-distance and international routes where fuel costs play a major role in ticket pricing.

Attendees Are Taking Care Of Business And Wellness At The 20th Annual Women Of Power Summit

by Ida Harris

March 14, 2026

Attendees Are Taking Care Of Business And Wellness At The 20th Annual Women Of Power Summit

Health is wealth

Fifteen hundred Black women executives, entrepreneurs, and visionaries mean business, but they are not all work and no wellness. The women who have joined BLACK ENTERPRISE in celebrating 20 years of the Women of Power Summit at the Bellagio Resort & Casino in Las Vegas, Nevada, are taking time out for wellness, and they’re getting more than 10,000 steps in. Summit mornings begin with a morning workout hosted by UnitedHealth Group in Bellagio’s Monet room and patio, with Pilates Body by Raven Ross, a fitness entrepreneur, master Pilates Instructor, and content creator.

Check out the wellness and workout sessions in the following gallery:

Black Enterprise Women in Power Summit – Las Vegas 2026

by Mary Spiller

March 14, 2026

Michael B. Jordan’s Marketing Agency Obsidianworks Buys Back Stake, Returns To Full Independence

The company is co-founded by actor Michael B. Jordan and former Nike executive Chad Easterling.

Marketing and creative agency Obsidianworks is returning to full independence after repurchasing the minority ownership stake previously held by Endeavor’s agency 160over90, a partnership that began in 2021. The company, co-founded by actor Michael B. Jordan and former Nike executive Chad Easterling, stated that the move is part of a broader strategy to accelerate its growth and sharpen its focus on a consumer group the agency calls “New Money America.”

Easterling, who serves as chief executive officer, said the decision was planned from the beginning rather than the result of a strained partnership.

“When we entered the partnership, going independent was always part of the plan as well,” Easterling told Ad Age. “For us and for them, it was really about wanting to help us get established—help us get the fundamentals and structure in place.”

Financial details of the buyback were not disclosed. When the investment was first announced in 2021, reports valued the deal at roughly $20 million.

Obsidianworks was founded in 2019 to rethink the traditional agency structure. Easterling said Jordan’s experiences in entertainment and brand partnerships helped reveal a gap in how companies connect with audiences.

“Mike saw an opportunity from his side as an actor—working with studios and production companies that were asking him about connecting with consumers—and as a brand ambassador working with brands and trying to connect to consumers,” Easterling said.

From the outset, the founders intended to create a business that could grow beyond Jordan’s personal industry relationships. “We didn’t want this to be where he’s trying to walk us into every single door, and he feels that pressure,” Easterling told the outlet.

The partnership with 160over90 allowed the young agency to scale quickly, he added. “The partnership allowed us to have a level of structure and foundation that let us not only get after one or two projects as a small, nimble shop, but get after multiple bodies of work that overlapped at the same time.”

One project developed during the partnership was the Legacy Classic, a nationally televised HBCU men’s basketball showcase in Newark, New Jersey.

With the buyback complete, Easterling said Obsidianworks now plans to expand its approach to reaching what the company calls “New Money America.” “They’re not niche,” he said of the audience. “They are the growth engine many brands are trying to get to, but not recognizing.”

He described the group as a younger, diverse, and entrepreneurial generation reshaping how wealth and influence operate. “We’re not just talking about Black consumers or multicultural consumers—we’re talking about that entire demographic across every background and nationality,” Easterling said.

While the agency is frequently associated with multicultural marketing, Easterling said that description does not fully capture its strategy. “Yes, any call we go on, people know we’re multicultural—we have that authority,” he said, adding that “we were never here to be diversity consultants.”

Instead, he often describes the company more broadly. “Typically, I say we’re an agency—or I say we’re an enterprise,” he said, joking that “we’re a construction company for brands and New Money America—we’re builders.”

Today, Obsidianworks counts brands such as Nike, Converse, Jordan Brand, Meta, Target, and Spanx, among its clients. The firm currently employs about 20 people and plans to hire up to a dozen more in the coming months.

Easterling stated that operating independently will help the company move faster. “Now feels like the right time because we want to begin to move faster, take more risks, and define our own growth trajectory without constraints,” he said. “Being independent is a strength and has benefits. It allows us to move quickly and focus on delivering measurable impact for clients without as many layers.”

by Jeroslyn JoVonn

March 14, 2026

Ryan Clark Criticizes ‘Disgusting And Despicable’ White House Pro-War Video Featuring Him

Ryan Clark is among several public figures speaking out after being featured in pro-war videos shared by the White House on social media.

Former NFL star Ryan Clark is calling out the White House for including him in a “disgusting and despicable” video post promoting the ongoing Iran war.

The Super Bowl champion addressed the issue on his Pivot podcast and reposted the clip on X, criticizing the Trump administration for using NFL footage and scenes from the 2008 comedy Tropic Thunder in promotional videos that appeared to make light of the ongoing war in the Middle East.

“I’m disappointed because, for one, to have Tropic Thunder and football highlights on a video about war is one of the more insensitive things that I’ve ever seen,” Clark said. “There are families here in our country whose loved ones have decided to give their lives to fight for our rights and our freedoms, who don’t see war as a sport. War doesn’t deserve a highlight film for Tropic Thunder to be a part of it. War is not a comedy.”

He continued, “And for these people to be risking their lives, not for our safety as much as for someone else’s agenda, for our regime to be as unserious, as unprofessional, as laughable, and as illegitimate as our leadership is right now, is embarrassing.”

“The latest White House post is… disgusting & despicable”

War is not a sport, & it’s certainly not a comedy. I’ve been asked how I felt about being included in a post from the White House using NFL hits as some sort of war highlight film. Truthfully, I don’t feel rage, but… pic.twitter.com/z9CrZDUBY6
— Ryan Clark (@Realrclark25) March 11, 2026

Clark, who spent more than a decade in the NFL and helped the Pittsburgh Steelers win Super Bowl XLIII, criticized the video’s tone, arguing that war should never be portrayed like sports entertainment or cinematic satire. He also said the U.S. government has “lost credibility” under President Donald Trump.

“Because the reality star needs everybody to know at all times, ‘Oh, look at me, look at the attention I’m garnering, we’re doing this for me,’” Clark said, directing his message at Trump. “The public servant stands at attention for 45 minutes in a salute because he understands what those soldiers who gave their lives have done for our country. And I think we’ve lost 100% any credibility. We’ve lost all decorum. We’ve lost all integrity. We’ve lost all character. And I believe that the latest White House post, or the White House post involving myself and other NFL players, is absolutely disgusting and despicable.”

Ben Stiller also recently criticized Trump for using clips from Tropic Thunder, which he directed, produced, and starred in, in the White House’s pro-war social media posts.

“Hey, White House, please remove the Tropic Thunder clip. We never gave you permission and have no interest in being a part of your propaganda machine. War is not a movie,” he tweeted.

Hey White House, please remove the Tropic Thunder clip. We never gave you permission and have no interest in being a part of your propaganda machine. War is not a movie. https://t.co/dMQqRxxVCa
— Ben Stiller (@BenStiller) March 6, 2026

by Sharelle B. McNair

March 14, 2026

TSA Agents Share Grievances Of Financial Stress As Partial Government Shutdown Continues

Since the partial shutdown, the rate of agents calling out has doubled with some airports seeing more than 50% of their frontline TSA workforce absent.

As social media users push to blame Transportation Security Administration (TSA) agents for the everlasting lines at airports nationwide, those workers are dealing with extreme financial hardship as the partial government shutdown goes into its fourth week, USA Today reports.

The partial shutdown started in mid‑February after Congress failed to provide funding to the Department of Homeland Security. Close to 50,000 TSA officers are working without being paid, with the March 13 paycheck expected to be the first missed.

“Numerous employees have reported to me that their bank accounts are at zero or negative,” said Secretary-Treasurer of American Federation of Government Employees (AFGE) TSA Council 100, Johnny Jones, a Dallas-based TSA worker. “No funds for daycare, no funds for food. They just want to know why the hell they can’t get paid when we have money to shoot missiles into other countries.”

Since the partial shutdown, the rate of agents calling out has doubled with some airports seeing more than 50% of their frontline TSA workforce absent. Travelers were seen in lines backed up to the parking lot of Austin-Bergstrom International Airport in Texas.

https://twitter.com/TomMillerNews/status/2032407600256446884

Even planes are waiting in long lines for take off.

https://twitter.com/Turbinetraveler/status/2032498882693787773

To make ends meet, some TSA workers are leaving their jobs for other employment opportunities. According to CBS News, Robert Echeverria, who worked the TSA checkpoints at Salt Lake City International Airport for nine years, feels he had no choice.

“I love the agency. I love the people that I worked with. But it’s just, my family has to come first,” he said. “I think the hardest thing is seeing the struggle that my wife was going through and not trying to bring more stress to her. But seeing her cry every night, how am I going to feed my family? How am I going to survive?”

On average, TSA officers are among the lowest-paid in the federal government, earning between $45,000 and $55,000 annually. But some airport leadership officials are trying to assist since they feel this isn’t the agents’ fault. Denver International Airport (DEN) CEO Phil Washington put together a collection to help TSA officers purchase necessities that they are not paid for.

“Once again, DEN’s federal employees are working tirelessly to ensure our airport operates efficiently and safely without getting paid. TSA employees just missed their first paycheck, and as we enter a busy Spring Break travel period, we want to do what we can to ease the stress of this moment,” Washington said in a statement.

“That’s why we are calling on the public, our passengers, and other airport employees to donate grocery store and gas gift cards to help make this moment a little more bearable for these federal workers,” he added.

by Kandiss Edwards

March 14, 2026

Quincy Jones’ Estate Sells Music Catalog, Including Share Of Michael Jackson Hits

The acquisition includes Jones' iconic production work on Michael Jackson’s 'Off the Wall,' 'Thriller,' and 'Bad' albums.

The estate of legendary producer Quincy Jones has finalized a landmark deal to sell a selection of his extensive music publishing and master recording catalog to HarbourView Equity Partners.

The acquisition includes Jones’ iconic production work on Michael Jackson’s “Off the Wall,” “Thriller,” and “Bad” albums. The sale promises to be an investment that is sure to pay off for HarbourView as “Thriller” remains one of the best-selling albums of all time. The sale encompasses Jones’ share of the royalties and rights associated with these masterworks. Additionally, the firm will gain rights to a select portion of Jones’s personal catalog of compositions and arrangements spanning seven decades, Variety reported.

“Quincy Jones was not just a once-in-a-generation talent; he was a once-in-a-century architect of culture,” said Sherrese Clarke, CEO of HarbourView Equity Partners. “Our partnership with the Estate is rooted in deep respect for Quincy’s creative vision and a long-term commitment to safeguarding his work, his likeness, and his influence for generations to come.”

The sale comes as the market for high-profile music catalogs continues to fluctuate. While many legacy artists sold their rights during the 2020-2022 peak. The Jones estate’s sale indicates that premier “blue chip” catalogs still command significant interest from investors.

Quincy Jones Estate Sells Rights to HarbourView https://t.co/qOIOwGBvjC
— Thomas Payne (@TPayneCommon) March 13, 2026

Jones, who died in November 2024 at the age of 91, was a 28-time Grammy Award winner. He often spoke of his collaborative process with Jackson as a unique alignment of creativity.

“Michael was a perfectionist, and we pushed each other to find sounds that didn’t exist yet,” Jones said in a 2017 interview regarding his production history. “We weren’t just making records; we were making history. You have to have the soul and the science in the room at the same time.”

The estate, managed by his children, indicated that the decision to sell was made to partner with a firm capable of managing the complex global licensing required for a catalog of this magnitude and cultural significance.

Jalen Rose, sports, football, basketball

by Jeroslyn JoVonn

March 14, 2026

Jalen Rose Says Black-Led Sports Like Basketball And Football Have ‘Residue Of Slavery’

Jalen Rose didn't hold back.

Former NBA star Jalen Rose is criticizing what he calls the “residue of slavery” in predominantly Black sports like football and basketball, pointing to salary caps and other league rules he believes are designed to keep players under control.

The current analyst recently appeared on a live taping of the Joe and Jada Unfiltered podcast, where Rose argued that leagues like the National Basketball Association and the National Football League impose restrictions on players that aren’t seen in other sports with fewer Black athletes.

“The only sports that have salary caps are Black-led first off. So that’s basketball and football,” Rose declared. “Those are the only sports with salary caps. Baseball, golf, NASCAR, tennis, you can keep naming. They do not have a salary cap. That’s the first thing. The second thing is they have no after-high school restriction.

“And so that’s a residue of slavery, because we’re gonna get money off of you for multiple years for free.”

Rose’s remarks build on a long-running debate about racial dynamics in the National Basketball Association. Critics often point out that while roughly 70% of players are Black, the vast majority of team owners are white, with nonwhite majority owners making up only a small share of the league.

The discussion also extends to league rules such as the NBA’s age requirement, which prevents players from entering the league directly out of high school. Prospects must be at least 19 years old and one year removed from high school graduation, leading many to spend a year in college where, until recent NIL reforms, they were unable to earn compensation despite generating billions for the National Collegiate Athletic Association.

Rose argues that the shift allowing college athletes to profit from NIL deals came only after the rise of social media, which made players and fans more aware of how young athletes could be exploited.

His comments sparked debate among sports fans, with some pointing to the National Hockey League, a predominantly white sport that also has salary caps, arguing that Rose didn’t have all the facts straight.

“More accurate title is “Jalen Rose FORGETS the NHL has a salary cap,” one viewer wrote.

“Individual sports don’t have caps… only team sport that doesn’t is the MLB right? I believe the reasoning is to give small market teams a chance otherwise the big markets would just buy the best players…” added another.

RELATED CONTENT: Jalen Rose; Athletes & Social Responsibility